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The Dance of Death

Autor Hans Holbein Editat de Ulinka Rublack
en Limba Engleză Paperback – 5 oct 2016
An invaluable new reproduction of Holbein's woodcuts of The Dance of Death

One of Hans Holbein's first great triumphs, The Dance of Death is an incomparable sequence of tiny woodcuts showing the folly of human greed and pride. Each image is packed with drama, wit, and horror, as a skeleton mocks and terrifies everyone from the emperor to a ploughman. Taking full advantage of the new literary culture of the early sixteenth century, The Dance of Death took an old medieval theme and made it new.

This edition reproduces a complete set from the British Museum, with many details highlighted and examples of other works in this grisly field included. Ulinka Rublack introduces the woodcuts with a remarkable essay on the late medieval Danse Macabre (the Dance of Death) and the world Holbein lived in.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Specificații

ISBN-13: 9780141396828
ISBN-10: 0141396822
Pagini: 208
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.2 kg
Editura: Penguin Books
Colecția Penguin Classics
Locul publicării:London, United Kingdom

Notă biografică

Hans Holbein (Author)
Hans Holbein the Younger (1497-1543) was a Swiss and German artist renowned for his portraiture. As a young artist Holbein worked in Basel where he produced one of his well-known works The Dance of Death, a series of 41 wood cuttings on the medieval concept of the danse macabre. In 1526 Holbein travelled to England on Erasmus's recommendation and there he executed some of his most impressive works, such as his portrait of Sir Thomas More. He returned to England in 1532 at a time of political and religious turmoil under Henry VIII's reign and found favour with the Boleyn family and Thomas Cromwell, becoming the King's Painter in 1536. He died in London in 1543.


Recenzii

The underlying message of the series is, of course, that Death comes for us all, and if it interrupts the recreations of the wealthy rather more insolently than those of the poor, then let that be a lesson to us... Rublack's commentary is useful and illuminating, pointing out details, providing information about the time Holbein lived in, and even making a plausible case for her own views on Holbein's position on the reformation.