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The Disobedience of Design: Gui Bonsiepe: Radical Thinkers in Design

Autor Lara Penin
en Limba Engleză Paperback – 29 dec 2021

This volume presents for the first time in English a curated selection of writings by the design thinker Gui Bonsiepe from the 1960s to the present day. Addressing as it does questions of non-Western design and a design practice that is both radical and democratic, Bonsiepe's work has assumed new importance for current debates inspired by global political and environmental crises.

Structured into three sections, the anthology first addresses Bonsiepe's work on design theory and practice, particularly in relation to the history and contemporary relevance of the Ulm design school, where Bonsiepe was a professor in the 1960s. A second section then represents Bonsiepe's writings after his move to South America in the 1960s and '70s, where he worked as a design consultant for the Allende government in Chile before the military takeover. In writings from the period, Bonsiepe explores the concept of design 'at the periphery' and the relationship of national design traditions and practices in Latin American countries to those of 'the core' - Western European and American design. The final section comprises selections of Bonsiepe's writings on design in relation to literacy and language, visuality and cognition. This indispensable volume includes new interviews with Bonsiepe as well as his original, previously unpublished texts.

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Specificații

ISBN-13: 9781350162440
ISBN-10: 1350162442
Pagini: 480
Ilustrații: 24 bw illus, 15 colour illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.8 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Radical Thinkers in Design

Locul publicării:London, United Kingdom

Caracteristici

Responds to market demand for more non-Western coverage and perspectives and more primary source material in our print and digital publishing

Notă biografică

Gui Bonsiepestudied information design at the hfg ulm (Hochschule für Gestaltung Ulm), Germany from 1955-1959, where he taught as Assistant Professor from 1960-1968. Since 1968 he has been a designer and consultant for industrialization policy in Chile, Argentina, and Brazil. From 1993-2003 he was Professor of Interface Design at the University of Applied Sciences, Cologne, Germany. He lives and works in Brazil and Argentina.Lara Peninis Associate Professor of Transdisciplinary Design at Parsons School of Design, USA. Author ofAn Introduction to Service Design: Designing the Invisible(Bloomsbury, 2018), her work is at the intersection of service and strategic design, participatory design and social justice. She is a graduate in Architecture and Urbanism from the University of São Paulo, Brazil, and has a PhD in Design from Milan Polytechnic University, Italy.

Cuprins

Introduction by Lara PeninNotes on the Making of the BookRecognition and Acknowledgements by Gui BonsiepeEditorial AcknowledgementsPart 1: Thinking DesigningIntroduction to Part 1 by Frederico Duarte(a) Essays on ulm1.1 The Cartography of Modernity1.2 Science and Design1.3 The Relevance of the Ulm School of Design today1.4 The Invisible Aspects of the HfG Ulm(b) Theory and Practice1.5 The Discomfort of Design Theory1.6 Arabesques of Rationality: Or the Splendor and Boredom of Design Methodology1.7 The Uneasy Relationship of Design and Design Research(c) Design, Politics, Ethics1.8 Design, Nomadism and Politics: Interview with Alejandro Lazo Margain1.9 Design and Democracy1.10 Some Virtues of DesignPart II: Design in the "Periphery"Introduction to Part II by Ethel Leon(a) From Europe to South America2.1 Peripheral Vision & Design Empowerment: Interview with James Fathers2.2 Industrial Design in Chile 1971-1973: Interview with Hugo Palmarola2.3 The Ulm Model in the Periphery2.4 Industrialization Without Design(b) Design in the "Periphery"2.5 History of Design in Latin America2.6 Aspects of Design in the Periphery2.7 Between Favela Chic and Autonomy: Design in Latin America(c) The Question of Difference2.8 Between Marasmus and Hope2.9 The Environment in the North-South Conflict2.10 Identity and Counter-Identity of DesignPart III: Design, Visuality, CognitionIntroduction to Part III by Hugh Dubberly(a) Design and Language3.1 Through Language to Design3.2 Design: from Material to Digital and Back3.3 Design as Tool for Cognitive Metabolism: From Knowledge Production to Knowledge Presentation(b) Design/ Visuality/ Theory3.4 Visual/Verbal Rhetoric3.5 The Interface Design of Computer Programs3.6 Designing Information3.7 Visuality | Discursivity, or Design: The Blind spot of Theory, Theory: the Blind spot of Design(c) Design and Crisis3.8 Design and Crisis3.9 Convergences / Divergences - Hannes Meyer and the HfG Ulm3.10 The Disobedience of DesignPart IV: Design and Development / ProjectsIntroduction to Part IV by Constantin Boym(a) Design Policy/Design and Development4.1 Development Through Design, a Report for UNIDO, 19734.2 Design and Development: The Debate with Victor Papaneka. Gui Bonsiepe: Review of Design for the Real World by Victor Papanekb. Victor Papanek: Reply to Bonsiepe's Review4.3 Design and Development 40 Years Later: Interview with Gabriel Patrocínio and José Mauro Nunes(b) Gui Bonsiepe: Selected Projects in Latin America4.4 Inexpensive Record Player, Chile, 19724.5 Nutrition project: Spoon for Powdered Milk, Chile 19734.6 Agriculture project, Chopper, Chile, 19734.7 Consumer product: Air-conditioning, Argentina, 19804.8 Two projects for Local Industry in Brazil, 1984-864.9 Health Care Project: Needle for Blood Sampling, Brazil, 1986(c) Case Study of Project Cybersyn, Chile4.10 (a) Opsroom: Interface of a Cybernetic Management Room4.10 (b) 'Socialism by Design' by Eden MedinaAfterword by Zoy Anastassakis & Marcos MartinsAppendices: Three Notes on the Closure of ulm (1968)1. The Situation of the HfG2. Communication & Power: A Marginal Note3. Resolution of the Hochschule für Gestaltung, Ulm Gui Bonsiepe: A Brief BiographyContributorsIndex

Recenzii

Wielding a powerful dissenting design imagination, Gui Bonsiepe is one of the most complex and accomplished design thinkers of our time. As this judiciously organized collection of his writings and projects demonstrates, beginning with his work in Ulm in the 1960s and then in Latin America after 1970, and continuing through to his pioneering development of ontological interface design in the 1990s through to his more recent critiques of "design thinking",The Disobedience of Designoffers perspectives that challenge, radically, the limitations of contemporary European and American design practice and theory.