The Dissolution of Character in Late Romanticism, 1820 - 1839: Edinburgh Critical Studies in Romanticism
Autor Jonas Copeen Limba Engleză Hardback – 30 apr 2018
The idea of character that many of us still take for granted - whether considered in print as an object of representation, or in life as a congenital 'bias' or an acquirable moral possession - is the shared concern of a multidisciplinary debate in reform-era Britain. This book argues for the independent merits of several lesser-known works written in England and Scotland during the 1820s and 1830s, recovering in these works a sustained ideological engagement with the ever-slippery concept of character. The Dissolution of Character in Late Romanticism studies texts written by contemporary poets, novelists, essayists, journalists, philosophers, phrenologists, sociologists, gossip-mongers and anonymous correspondents. Its main authors of interest include David Hume, Walter Scott, Charles Lamb, William Hazlitt, Hartley Coleridge, Letitia Landon, Thomas Love Peacock and Thomas Lovell Beddoes.
With a fresh, interdisciplinary approach, this original intervention in Romantic-era scholarship throws character into relief as an especially problematic concept, not only for the poststructuralist critics who study late Romantic writers, but also for the writers themselves. It changes the ways in which literary scholarship has thought about the development of character discourse in the first half of the nineteenth century.
Key Features
- Describes a synthesis by which debates in many disciplines (novel-writing, periodical-writing, philosophy, phrenology, sociology, medicine, ethics) are distilled into the concept of character associated with literary realism
- Moves a relatively eclectic group of writers to the forefront of a literary culture traditionally narrowed to focus on Lord Byron, Percy Shelley, John Keats and their legacies
- Establishes a more comprehensive understanding of late Romantic literary networks by pairing authors rarely studied together (such as William Hazlitt and Letitia Landon)
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 160.19 lei 22-36 zile | |
EDINBURGH UNIVERSITY PRESS – 27 noi 2019 | 160.19 lei 22-36 zile | |
Hardback (1) | 552.21 lei 22-36 zile | |
EDINBURGH UNIVERSITY PRESS – 30 apr 2018 | 552.21 lei 22-36 zile |
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Specificații
ISBN-13: 9781474421300
ISBN-10: 147442130X
Pagini: 248
Ilustrații: 2 B/W illustrations
Dimensiuni: 160 x 236 x 18 mm
Greutate: 0.5 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Edinburgh Critical Studies in Romanticism
ISBN-10: 147442130X
Pagini: 248
Ilustrații: 2 B/W illustrations
Dimensiuni: 160 x 236 x 18 mm
Greutate: 0.5 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Edinburgh Critical Studies in Romanticism
Notă biografică
Jonas Cope is Assistant Professor of English California State University, Sacramento. He has authored several articles including Passive and Dynamic Sincerity in Mary Shelley's Falkner, (The Keats-Shelley Journal 63 (2014): 123-37) and The Mortal Immortal: Mary Shelley's 'Overreachers' Reconsidered (The Explicator 72, no. 2 (2014): 122-26). He is an article reviewer for the journal Pedagogy published by Duke University Press.
Descriere
The Dissolution of Character in Late Romanticism' studies texts written by contemporary poets, novelists, essayists, journalists, philosophers, phrenologists, sociologists, gossip-mongers and anonymous correspondents.