The Dry House: Modern Plays
Autor Eugene O'Hareen Limba Engleză Paperback – 29 mar 2023
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Specificații
ISBN-13: 9781350406520
ISBN-10: 135040652X
Pagini: 72
Dimensiuni: 129 x 198 x 10 mm
Greutate: 0.08 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 135040652X
Pagini: 72
Dimensiuni: 129 x 198 x 10 mm
Greutate: 0.08 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Published to coincide with the premiere at London's Marylebone Theatre in March 2023
Notă biografică
Eugene O'Hare is an Irish actor and writer. His debut full-length plays, Sydney & the Old Girl and The Weatherman, premiered to critical & public acclaim at the Park Theatre in 2019. His third full-length play, The Dry House, opened at the Marylebone Theatre in London in 2023. Commissioned work includes Hospital Food for the National Theatre Connections Festival. He has written short stories for BBC Radio 4- most recently The Poet and the Echo read by Caitríona Balfe. He is commissioned by ITV and is in active development on projects for film. He was shortlisted for the 2021 poetry prize at Belfast Book Festival and the 2022 Fish Poetry Prize.
Recenzii
This bleakly beautiful boozer's tale packs a powerful punch.
O'Hare's psychological acuity is impressive and his plot is beautifully organised. A multilayered drama emerges from a single incident, a suspicious car crash, which spins a malign and complex web around the lives of Chrissy and her extended family. Without the car crash, the drama vanishes. That's the way to tell a story.
There are moments of sheer brilliance in The Dry House, most obviously in the intensely well-observed relationship between the two sisters. Their bickering descends into bitterness at the drop of a hat, yet the love between them is palpable.
Maybe it's because he's a successful performer himself, one with an impressive array of top flight stage and screen credits, but Eugene O'Hare feels very much like an actors' writer. He creates meaty, flawed, mighty characters and fills their mouths with the poetic and the profane, in plays that don't flinch from the grimy underbelly of human existence but are shot through with jet black wit and unexpected moments of devastating tenderness.
It's a thoughtful character-driven piece of work with full-bodied performances that shows the devastation of alcoholism without preaching and gratifyingly ends on a note of hope.
O'Hare's psychological acuity is impressive and his plot is beautifully organised. A multilayered drama emerges from a single incident, a suspicious car crash, which spins a malign and complex web around the lives of Chrissy and her extended family. Without the car crash, the drama vanishes. That's the way to tell a story.
There are moments of sheer brilliance in The Dry House, most obviously in the intensely well-observed relationship between the two sisters. Their bickering descends into bitterness at the drop of a hat, yet the love between them is palpable.
Maybe it's because he's a successful performer himself, one with an impressive array of top flight stage and screen credits, but Eugene O'Hare feels very much like an actors' writer. He creates meaty, flawed, mighty characters and fills their mouths with the poetic and the profane, in plays that don't flinch from the grimy underbelly of human existence but are shot through with jet black wit and unexpected moments of devastating tenderness.
It's a thoughtful character-driven piece of work with full-bodied performances that shows the devastation of alcoholism without preaching and gratifyingly ends on a note of hope.