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The Dutch Courtesan: New Mermaids

Autor John Marston Editat de David Crane
en Limba Engleză Paperback – 29 sep 1997
Although it was written shortly before or after Queen Elizabeth's deathin 1603 and performed by the boy company at Blackfriars, this playforeshadows the light ladies and callous gallants of Restorationcomedy. Passion is a scourge, love is humiliation, and friends might aswell be enemies. Freevill discards his concubine Franceschina and, fora joke, sets his straight-laced friend Malheureux on to her, who fallsfor her and promises to carry out her revenge on Freevill by killinghim. The play in the theatre, which is fully imagined in theintroduction to this edition, impresses on the audience thespuriousness of rigid moral persuasions, especially when they are triedby fits of sexual passion.
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Specificații

ISBN-13: 9780713644753
ISBN-10: 0713644753
Pagini: 120
Ilustrații: c 5 photographs/line drawings
Dimensiuni: 126 x 198 x 11 mm
Greutate: 0.17 kg
Ediția:New
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria New Mermaids

Locul publicării:London, United Kingdom

Descriere

Freevill introduces his friend Malheureux to his mistress Franceschinain order to play a trick on him. But Franceschina finds out thatFreevill wants to marry someone else and asks Malheureux to kill him.This is one of a series of classic English plays which have beenre-edited.

Caracteristici

Introduction covers theatrical, historical and critical contexts

Notă biografică

Karen Britlandis Professor of English at the University of Wisconsin-Madison, USA.

Cuprins

Series Preface; Introduction;The Dutch Courtesan; Bibliography;Appendices; Index

Recenzii

The play is well-chosen for the present moment, with its struggling immigrants, social predation, and vibrant street scenes, and Britland does an excellent job of clarifying the puns and jabs often lost on student readers, much of them in polyglot argot.
Attentive to the literary influences behind Marston's play ... Particularly illuminating is Britland's attention to Marston's borrowings from Montaigne.
This is by far the best edition of the play on the market, superbly treated by Karen Britland.