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The Edinburgh Companion to the Bible and the Arts de Stephen Prickett

The Edinburgh Companion to the Bible and the Arts: Edinburgh Companions to Literature Eup

Editat de Stephen Prickett
en Limba Engleză Hardback – 27 feb 2014
Examines the changing relationship between the Bible and the arts, showing how the arts portray biblical stories in various ways and through various media, and how 'the' Bible is actually multiple entities: fiercely contested translations in many languages. Generously illustrated with examples including painting, architecture and stained glass.
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Specificații

ISBN-13: 9780748639335
ISBN-10: 0748639330
Pagini: 768
Ilustrații: 66 b+w illus; 72 colour illus.
Dimensiuni: 176 x 250 x 35 mm
Greutate: 1.43 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Edinburgh Companions to Literature Eup

Notă biografică

Stephen Prickett is Regius Professor Emeritus of English, at the University of Glasgow and honorary Professor of English at the University of Kent, Canterbury. He has also taught at the Universities of Sussex, the Australian National University in Canberra, Duke University, and Baylor University, where he was Director of the Armstrong Browning Library. He has published one novel, nine monographs, seven edited volumes, and over ninety articles on Romanticism, Victorian Studies and literature and theology.

Cuprins

Acknowledgements; List of Illustrations; List of Contributors; 1. Introduction, Stephen Prickett; INSPIRATION AND THEORY; 2. 'What has Athens to do with Jerusalem ?' The Biblical Chain-Gang, Stephen Prickett; 3. Hebrew Aesthetics and Jewish Biblical Exegesis, Mordechai Z. Cohen; 4. Migne's Achievement and the Modern Transmission of Ancient Manuscripts, Dan Williams; 5. Augustine on Beauty: a Biblical Aesthetics, David Lyle Jeffrey; 6. Sublimity and Resistance to Form in the Early Modern Bible, Anthony Ossa-Richardson; 7. 'A Babel of Bibles': Aesthetics, Translation and Interpretation since 1885, Nicholas Bielby; m8. Lest the Story be Lost: Biblical Fiction, David Dickinson; 9. The Bible and Phenomenology, Kevin Hart; ART AND ARCHITECTURE; 10. The Gospel of John in Early Christian Art, Robin Margaret Jensen; 11. Images of Conflict: the art of Anti-Judaism in Fifth Century Rome, Geri Parlby; 12. A Shared Tradition: The Decorated Pages of Medieval Bibles and Qur'ans, Vivian B. Mann; 13. Speaking Pictures: Mediaeval Religious Art and its Viewers, Charles Moseley; 14. The Iconography of the Cross as the Tree of Life, Christopher Irvine; 15. Art and the Resurrection Narrative, Christopher Herbert; 16. Covenants and Connections: the Sassetti Chapel at Santa Trinita, Chloe Reddaway; 17. Who Framed Bathsheba? Vivianne Westbrook; 18. The Fresco Decoration in the Sistine Chapel: Biblical Authority and the Church of Rome, Shirley Smith; 19. The Materiality and Iconography of the Coverdale Bible (1535), Mark Rankin and Guido Latre; 20. Moses in Eighteenth Century Art, Nigel Aston; 21. Blake: Text and Image, Christopher Rowland; 22. The Angel in the Detail: Pre-Raphaelite Stained Glass, Christopher Rogers; 23. Framing the Vision: Biblical Imagery in the Work of Van Gogh, Daphne Lawson; 24. Coventry Cathedral: Conception and Reality, Sarah Hosking; HYMNS; 25. Hymns of the Wesleys, J.R. Watson; 26. The Bible Interpreted by Hymns, Robin Gill; LITERATURE; 27. The Art of Unveiling: Biblical Apocalypse, Christopher Burdon; 28. The Divine Comedy as the Word of God, Patricia Erskine-Hill; 29. The Mediaeval Bible as Literature, Alastair Minnis & Andrew Kraebel; 30. Homer Writes Back: Rhetorical Art and Biblical Epic Justice in Paradise Lost, Book 1, Phillip Donnelly; 31. Heart-Deep: The Psalms and George Herbert, Christopher Hodgkins; 32. From Virtue to Goodness: Biblical Values in Victorian Literature, Jan-Melissa Schramm; 33. The Mirror of the Law of Liberty: Reflecting the Hidden Christ in George Macdonald's Lilith, Bethany Bear; 34. Images of the Creator/Creation from Frankenstein to Nietzsche, Norbert Lennartz; 35. Eliot Among the Theologians, Jan Gorak; 36. Imitatio Pilati et Christi in Modern Historical Drama, James Alexander.