The Elizabeth Icon: 1603–2003
Autor J. Walkeren Limba Engleză Hardback – 25 noi 2003
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Specificații
ISBN-13: 9781403911995
ISBN-10: 1403911991
Pagini: 232
Ilustrații: XII, 232 p. 24 illus.
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.41 kg
Ediția:2004
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
ISBN-10: 1403911991
Pagini: 232
Ilustrații: XII, 232 p. 24 illus.
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.41 kg
Ediția:2004
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
Cuprins
Introduction 1603-1660: The Shadow of the Rainbow 1660-1714: The Shadow of Divine Right 1714-1910: The Shadow of 'once upon a time...' 1910-1952: The Shadow of History 1952-2003: The Shadow of the Imagination Index
Recenzii
'This book deals strikingly with the importance of memory and how the different recollections of Elizabeth I open up new ways of understanding English politics and culture from the Seventeenth-century to our own. Walker examines numerous representations and writes in a conversational style that will be accessible to a wide-ranging audience.' - Carole Levin, Willa Cather Professor of History at the University of Nebraska, Lincoln, USA
'Julia Walker's The Elizabeth Icon is not just a scholarly tour de force - it is also critically innovative in its exploration of changing memorialisations of the Virgin Queen. Walker brings a new level of intellectual understanding and clarity to her analysis of a crucial yet neglected element within British historical self-consciousness: the changing reception and transmission of ideas of individual monarchs. In this compelling study, she shows how a series of cultural as well as historical contingencies have contributed to the changing definition of a key emblem, not simply of British monarchy, but also, more generally, of Britain itself.' - Fellow and Director of Studies in English, King's College, Cambridge University
'Walker's topic is broad: a cultural history of Elizabeth's image since her death. It is enjoyably omnivorous in scope, taking in children's novels, the War of Jenkins's ear, engravings, teapots, plays, Punch cartoons and film, and sashaying into eBay, the future of archival research and weapons of mass destruction.' - Women: A Cultural Review
'Julia Walker's The Elizabeth Icon is not just a scholarly tour de force - it is also critically innovative in its exploration of changing memorialisations of the Virgin Queen. Walker brings a new level of intellectual understanding and clarity to her analysis of a crucial yet neglected element within British historical self-consciousness: the changing reception and transmission of ideas of individual monarchs. In this compelling study, she shows how a series of cultural as well as historical contingencies have contributed to the changing definition of a key emblem, not simply of British monarchy, but also, more generally, of Britain itself.' - Fellow and Director of Studies in English, King's College, Cambridge University
'Walker's topic is broad: a cultural history of Elizabeth's image since her death. It is enjoyably omnivorous in scope, taking in children's novels, the War of Jenkins's ear, engravings, teapots, plays, Punch cartoons and film, and sashaying into eBay, the future of archival research and weapons of mass destruction.' - Women: A Cultural Review
Notă biografică
JULIA M. WALKER is Professor of English and Women's Studies at the State University of New York at Geneseo, and the editor of Milton and the Idea of Woman (1988), Dissing Elizabeth (1998), and the author of Medusa's Mirrors: Spenser, Shakespeare, Milton, and the Metamorphosis of the Female Self (1998). She received the Milton Society's Hanford Award for the Most Distinguished Milton Essay of 1997.