The English Modernist Novel as Political Theology: Challenging the Nation: New Directions in Religion and Literature
Autor Charles Andrewsen Limba Engleză Hardback – 7 feb 2024
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Specificații
ISBN-13: 9781350362031
ISBN-10: 1350362034
Pagini: 216
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Directions in Religion and Literature
Locul publicării:London, United Kingdom
ISBN-10: 1350362034
Pagini: 216
Ilustrații: 20 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Directions in Religion and Literature
Locul publicării:London, United Kingdom
Caracteristici
Makes an intervention into our current cultural and historical climate by showing how understanding theopolitical fiction matters not only for English writers a century ago but for our creative political life in the UK today
Notă biografică
Charles Andrews is Professor of English at Whitworth University, USA.
Cuprins
Introduction: Challenging the "Christian Nation" 1. Virginia Woolf and Political Liturgies for the Unredeemed: Jacob's Room 2. D. H. Lawrence's Political Eschatology: Apocalypse and Lady Chatterley's Lover 3. Evelyn Waugh's Cynical Political Theology: Decline and Fall and Vile Bodies 4. Sylvia Townsend Warner's Queer Anarchist Theology: Lolly Willowes Coda: Living the Theopolitical Imagination Bibliography Index
Recenzii
Charles Andrews's fascinating account of modernist fiction and the 'theopolitical imagination' offers a distinctively new and exciting approach to the cultural and literary history of modernism. Through an introduction and four chapters dedicated to four non-religious novelists, it maps a set of complex and fascinating responses to the role of Christianity in the formation and consolidation of English nationhood. Superbly argued and impressively attuned to the nuances of literary and political discourse, the book is a vital addition to the literature on modernism and religion and the first to recognise the modernist novel as a key site of resistance to the Christian nation-state.