The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition
Autor Gustavo Mercadoen Limba Engleză Paperback – 2 iun 2022
* Become an eloquent visual storyteller through effective and expressive choices for each and every shot in your film with hundreds of full-color examples from your favorite blockbusters in this easy-to-reference guide * Types of shots covered include close-ups, long shots, over the shoulder shots, group shots, zoom shots, pan shots, dolly shots, tracking shots, and more* The 2nd edition has been comprehensively updated with new movie examples of various shots featured, a new chapter on The Overhead Shot, expanded sections on aspect ratios, rule of thirds, shooting formats, and updated organisation into parts on sizes conventions and dynamics.
Toate formatele și edițiile | Preț | Express |
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Paperback (2) | 232.96 lei 22-36 zile | +25.31 lei 5-11 zile |
Taylor & Francis – 17 iul 2019 | 232.96 lei 22-36 zile | +25.31 lei 5-11 zile |
Taylor & Francis – 2 iun 2022 | 235.13 lei 22-36 zile | +33.11 lei 5-11 zile |
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Specificații
ISBN-10: 1138780316
Pagini: 258
Ilustrații: col. ill
Dimensiuni: 229 x 229 x 20 mm
Greutate: 0.86 kg
Ediția:2. Auflage
Editura: Taylor & Francis
Colecția Focal Press
Locul publicării:Oxford, United Kingdom
Public țintă
Professional Practice & DevelopmentCuprins
acknowledgments; preface to the second edition; introduction; finding the frame; image systems; rules of cinematic composition & technical concepts; SIZES; extreme close¿up; close¿up; medium close¿up; medium shot; medium long shot; long shot; extreme long shot; CONVENTIONS; over the shoulder shot; establishing shot; subjective shot; two shot; group shot; split¿screen shot; canted shot; overhead shot; inverted shot; emblematic shot; abstract shot; macro shot; zoom shot; DYNAMICS; pan shot; tilt shot; dolly shot; dolly zoom shot; tracking shot; Steadicam® shot*; crane shot; aerial shot; sequence shot; filmography; image credits; index
Notă biografică
Gustavo Mercado is an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of The Filmmaker¿s Eye: Learning (and Breaking) the Rules of Cinematic Composition, was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eye film book series, The Language of the Lens: The Power of Lenses and The Expressive Cinematic Image was translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College¿s Film & Media Studies Department in New York City.
Recenzii
Florian Ballhaus, ASC, cinematographer of Flightplan, The Devil Wears Prada, and The Divergent Series: Insurgent
"Gustavo's book explores and details the techniques available with excellent examples of what works, why it works and how one can break with conventions for specific effect. A great resource for all, from students of the filmmaking craft through to seasoned practitioners intersted in contemplating their own instincts and why they do things the way they do."
Denson Baker, ACS, NZCS, cinematographer of The Dark Horse, Ophelia and The Luminaries