The First World War and Popular Cinema
Editat de Michael Parisen Limba Engleză Paperback – 24 noi 1999
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Specificații
ISBN-13: 9780748610990
ISBN-10: 0748610995
Pagini: 240
Ilustrații: photographs, illustrations
Dimensiuni: 156 x 236 x 17 mm
Greutate: 0.46 kg
Editura: EDINBURGH UNIVERSITY PRESS
Locul publicării:United Kingdom
ISBN-10: 0748610995
Pagini: 240
Ilustrații: photographs, illustrations
Dimensiuni: 156 x 236 x 17 mm
Greutate: 0.46 kg
Editura: EDINBURGH UNIVERSITY PRESS
Locul publicării:United Kingdom
Notă biografică
Michael Paris is a senior lecturer in the department of historical and critical studies at the University of Central Lancashire and the author of From the Wright Brothers to Top Gun: Aviation, Nationalism and Popular Cinema and Winged Warfare.
Cuprins
Acknowledgments
List of Illustrations
Notes on Contributors
Introduction / Michael Paris
Cinema and the Memory of the Great War / Pierre Sorlin
Official British Film Propaganda / Nicholas Reeves
Enduring Heroes: British Feature Films and the First World War, 1919-1997 / Michael Paris
The ANZAC and the Sentimental Bloke: Australian Culture and Screen Representations of World War One / Ina Bertrand
Canadian Film and the First World War / Tim Travers
France: the Silent Memory / Pierre Sorlin
The United States' Film Industry and World War One / Leslie Midkiff DeBauche
The Representation of the Great War in Italian Cinema / Giovanni Nobili Vitelleschi
A War Forgotten: the Great War in Russian and Soviet Cinema / Denise J. Youngblood
Between Parochialism and Universalism: World War One in Polish Cinematography / Ewa Mazierska
The Experience of the First World War and the German Film / Rainer Rother
Where is the War? Some Aspects of the Effects of World War One on Austrian Cinema / Franz Marksteiner
Index
List of Illustrations
Notes on Contributors
Introduction / Michael Paris
Cinema and the Memory of the Great War / Pierre Sorlin
Official British Film Propaganda / Nicholas Reeves
Enduring Heroes: British Feature Films and the First World War, 1919-1997 / Michael Paris
The ANZAC and the Sentimental Bloke: Australian Culture and Screen Representations of World War One / Ina Bertrand
Canadian Film and the First World War / Tim Travers
France: the Silent Memory / Pierre Sorlin
The United States' Film Industry and World War One / Leslie Midkiff DeBauche
The Representation of the Great War in Italian Cinema / Giovanni Nobili Vitelleschi
A War Forgotten: the Great War in Russian and Soviet Cinema / Denise J. Youngblood
Between Parochialism and Universalism: World War One in Polish Cinematography / Ewa Mazierska
The Experience of the First World War and the German Film / Rainer Rother
Where is the War? Some Aspects of the Effects of World War One on Austrian Cinema / Franz Marksteiner
Index
Recenzii
"Even as WWI becomes more distant in popular memory, its representation on film has become a topic of increasing scholarly interest. . . . The present volume is a significant addition to this literature, primarily for its comparative international perspective. . . . Recommended."
"This welcome addition to the literature embodies not merely the scholarship but also something of the verve Isenberg hoped to see devoted to the study of World War I and film. Its eleven contributors examine the impact of the war on the evolution of filmmaking in ten belligerent nations as well asùand perhaps more importantlyùthe continuing role of film in shaping the historical vision of the war. . . . There is sufficient originality and depth throughout to please the most seasoned readers. . . . The book is not only well-conceived and well-balanced as a written work, but handsome. Its elegant typeface and layout, together with the large number of appropriate photographs, make it another small victory of scholarship and aesthetics over that bane of our times—mere information."
Descriere
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The First World War and Popular Cinema provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories.