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The Focal Press Companion to the Constructed Image in Contemporary Photography

Editat de Marni Shindelman, Anne Massoni
en Limba Engleză Paperback – 30 sep 2020
This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing on work created in the past twenty-five years, this volume is divided into sections that address a separate means of creating photographs as careful constructs: Directing Spaces, Constructing Places, Performing Space, Building Images, and Camera-less Images. Introduced by both a curator and a scholar, each section features contemporary artists in conversation with curators, critics, gallerists, artists, and art historians. The writings include narratives by the artist, writings on their work, and examinations of studio practices. This pioneering book is the first of its kind to explore this topic beyond those artists building sets to photograph.
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Specificații

ISBN-13: 9780367580537
ISBN-10: 0367580535
Pagini: 318
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.59 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Cuprins

Foreword


Introduction: The State of Photography, The Status


of Photographs







  1. Building Images, Building Spaces



    Madeline Yale Preston


    Single Artist Spotlights


    Jason DeMarte


    Letha Wilson


    Mark Dorf


    Eva Stenram


    Anthony Goicolea


    Interviews


    Adam Magyar


    Darren Harvey-Regan


    Hank Willis Thomas


    Ruth Van Beek





  2. Constructing Places



    Stacy J. Platt


    Single Artist Spotlights


    Shirana Shahbazi




    Susana Reisman


    Liliana Porter


    Interviews


    Wang Ningde


    Susan kae Grant





  3. Sensations of Place: Artist Altered Environments



    Liz Wells


    Single Artist Spotlights


    Adam Ekberg


    Noémie Goudal


    Matt Siber


    Interviews


    Laurent Millet


    Thomas Jackson





  4. Schematic Traces: Systems of Making



    Kate Palmer Albers


    Single Artist Spotlights


    Natalie Czech


    Shizuka Yokomizo


    Pato Hebert


    Interviews


    Penelope Umbrico


    Mishka Henner





  5. Camera-Less: Photographic Fidelity (and Infidelity)



    Katherine Ware


    Single Artist Spotlights


    Farrah Karapetian


    Shimpei Takeda


    Brittany Nelson


    Interviews


    Aspen Mays


    Liz Deschenes







  6. Performing for the Camera: Postmodernism,



         Antimodernism, and the Performative Photograph


        William J. Simmons


        Single Artist Spotlights


        Renée Cox


       Ou Zhihang


       Stacey Tyrell


       Interviews


       Lily McElroy


      Hillerbrand+Magsamen

Notă biografică

Marni Shindelman’s work investigates proximity and touch in digital culture. She is half the collaborative team of Larson & Shindelman. Their ongoing project, Geolocation, uses publicly available embedded GPS information in Twitter updates to track the locations of user posts and make photographs to mark the location in the real world. She is an assistant professor at the University of Georgia, Lamar Dodd School of Art. Prior to that she taught for ten years at the University of Rochester. Her work has been in exhibitions at Crystal Bridges Museum, solo exhibitions Blue Sky in Portland, United Photo Industries in Brooklyn, the Contemporary Arts Center Las Vegas. Selections have been shown in group shows at the Light Factory in Charlotte, the FotoFestiwal in Poland, the Houston Center for Photography, Baltimore Museum of Art, the Moscow International Biennale in Russia, and Conflux Festival in NYC. Shindelman’s projects have been featured in Wired Magazine, GUP Magazine, The Picture Show from NPR, The Dish, PetaPixel, Fast Company, Gizmodo, Hyperallergic, the New York Times, Hostshoe Magazine, the Washington Post, Utne Reader, Flavorwire, Frieze Magazine, the British Journal of Photography, the BBC News Viewfinder, and on the radio program Marketplace Tech Report.




Anne Leighton Massoni is the Program Director of Photography at The University of the Arts in Philadelphia, Pennsylvania. Prior to teaching at UArts she held positions at Marshall University, Cornell University, Tyler School of Art, Washington College, Memphis College of Art, and Monmouth University. She has exhibited nationally and internationally including the H. F. Johnson Museum in New York, The Print Center in Philadelphia, The Sol Mednick Gallery in Philadelphia, NIH in Washington, DC, the Allen Sheppard Gallery in New York City, Newspace Gallery in Portland, Rayko in San Francisco, the East End Film Festival in London, England, the 2013 International Mobile Innovation Screening in New Zealand and Australia, and IlCantinonearte Teatri e Galleria del Grifo in Montepulciano, Italy. Recent publications of her work include ASPECT: The Chronicle of New Media Art and SpostaMenti, published by MuseumsEtc in England. She serves as the Vice Chair of the National Board of the Society for Photographic Education.

Descriere

This compendium examines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph.