Cantitate/Preț
Produs

The Fool in European Theatre: Stages of Folly

Autor T. Prentki
en Limba Engleză Hardback – 22 noi 2011
Why is folly essential to the functioning of a healthy society? Why is theatre a natural home for madness? The answers take the reader on a journey embracing Shakespeare and Jonson, Brecht and Beckett, Büchner and Boal. From Falstaff to Fo via Figaro, this study examines the art of telling truth to power and surviving long enough to have a laugh.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 37660 lei  6-8 săpt.
  Palgrave Macmillan UK – 2012 37660 lei  6-8 săpt.
Hardback (1) 38279 lei  6-8 săpt.
  Palgrave Macmillan UK – 22 noi 2011 38279 lei  6-8 săpt.

Preț: 38279 lei

Nou

Puncte Express: 574

Preț estimativ în valută:
7326 7610$ 6085£

Carte tipărită la comandă

Livrare economică 01-15 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780230291591
ISBN-10: 0230291597
Pagini: 229
Ilustrații: VII, 229 p.
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.48 kg
Ediția:2012
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

Fooling with Gods and Men Fooling with Carnival and Lent Fooling with Falstaff Fooling with Love Fooling with Royalty Fooling with Reason Fooling with Intervention Fooling with Revolution Fooling with Existence Fooling with Applications Bibliography Index

Recenzii

'Tim Prentki has written an insightful book that chronicles the power of laughter from a remarkable variety of historic and literary perspectives. It is a valuable resource for students and scholars interested in the serious side of clowning.' - Ron Jenkins, Professor of Theater, Wesleyan University, USA

Notă biografică

TIM PRENTKI Professor of Theatre for Development at the University of Winchester, UK. He is a member of the editorial board of Research in Drama Education and has written for applied theatre journals across the world. He is co-author of Popular Theatre in Political Culture and co-editor of The Applied Theatre Reader.