The Franco-Algerian War through a Twenty-First Century Lens: Film and History: War, Culture and Society
Autor Dr. Nicole Beth Wallenbrocken Limba Engleză Paperback – 25 aug 2021
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Specificații
ISBN-13: 9781350246805
ISBN-10: 1350246808
Pagini: 240
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria War, Culture and Society
Locul publicării:London, United Kingdom
ISBN-10: 1350246808
Pagini: 240
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria War, Culture and Society
Locul publicării:London, United Kingdom
Caracteristici
Shows the active role that cinema has played in representing and re-forming public understanding of French and Algerian history
Notă biografică
Nicole Beth Wallenbrock is Assistant Professor of French and Francophone Studies at Hostos Community College of the City University of New York, USA.
Cuprins
List of FiguresAcknowledgmentsIntroduction1. The Twentieth-Century Screen Geography of the Franco-Algerian War2. The Algerian Revolution in Three Transnational Documentaries: Algérie Tours/detours (Oriane Brun-Moschetti and Leïla Morouche, 2006), La Chine est encore loin (China Is Still Far Away, Malek Bensmaïl, 2008), and Fidaï (Damien Ounouri, 2012)3. The Specter of Torture and Atomic Bombs: L'Ennemi intime (The Intimate Enemy, Florent-Emilio Siri, 2007) and Djinns (Stranded, Hughes and Sandra Martin, 2010)4. Reclaiming the Screen Algerian Revolution: Cartouches Gauloises (Summer of '62, Mehdi Charef, 2006), Hors-la-loi (Outside the Law, Rachid Bouchareb, 2010), and Les Folles Années du Twist (The Crazy Years of the Twist, Mahmoud Zemmouri, 1986)5. A Scission in the Memory of the Franco-Algerian War: Mesrine Part I: L'Instinct de Mort (Killer Instinct), Part II: L'Ennemi Public No. 1 (Public Enemy No.1, Jean-Paul Richet, 2008)6. Revolution through Utopian Dialectics: Une si jeune paix (So Young a Peace, Jacques Charby, 1965) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)ConclusionAppendix Timeline: Algeria and France 1827-2019BibliographyFilmographyIndex
Recenzii
There has been a resurgence of critical interest in filmic representations of the war of Algerian independence in the past ten years ... Wallenbrock's book is a major contributor to this corpus.
This close study, enriched by the author's interviews with some of the film directors, reveals 'the contradictions and ambivalence' about the legacy of Franco-Algerian conflict, often through the lens of the 'theory of the rhizome' ... This book is replete with incisive insights and supported not only with an impressive academic bibliography but also a 'filmography' of the nearly 200 films it cites. Summing Up: Recommended. Lower-division undergraduates through faculty.
This is a brilliant and important book. The application of theory is exemplary, and - ever attentive to production contexts, neo-colonial tensions and the subtleties of each film text - Wallenbrock engagingly reflects on the ambiguities of recent trans-historical representations of the Franco-Algerian War. A fascinating meditation on memory, violence and cinema.
The Franco-Algerian War Through a Twenty-First Century Lens provides a rich analysis of contemporary filmic representations of the war and opens new avenues of inquiry into transnational processes of remembrance.
The centrality of cinema in the Franco-Algerian relationship called for Nicole Wallenbrock's The Franco-Algerian War through a Twenty-First Century Lens. This wonderful scholarly intervention offers a fresh and important look at cinema as a the most visible site in the contest and transmission of the colonial, anticolonial, and post-colonial histories in France and Algeria. Her ability to deploy rigorous historical research, rich and thoughtful analysis of film and filmmakers over the past 70 years, and a personal touch that comes through her sustained oral histories with many leading directors, puts her into a unique class of film scholars. This book illustrates how film and cinema interacted with the past and how our present is informed by the media and art in this increasingly influential transnational arena.
This close study, enriched by the author's interviews with some of the film directors, reveals 'the contradictions and ambivalence' about the legacy of Franco-Algerian conflict, often through the lens of the 'theory of the rhizome' ... This book is replete with incisive insights and supported not only with an impressive academic bibliography but also a 'filmography' of the nearly 200 films it cites. Summing Up: Recommended. Lower-division undergraduates through faculty.
This is a brilliant and important book. The application of theory is exemplary, and - ever attentive to production contexts, neo-colonial tensions and the subtleties of each film text - Wallenbrock engagingly reflects on the ambiguities of recent trans-historical representations of the Franco-Algerian War. A fascinating meditation on memory, violence and cinema.
The Franco-Algerian War Through a Twenty-First Century Lens provides a rich analysis of contemporary filmic representations of the war and opens new avenues of inquiry into transnational processes of remembrance.
The centrality of cinema in the Franco-Algerian relationship called for Nicole Wallenbrock's The Franco-Algerian War through a Twenty-First Century Lens. This wonderful scholarly intervention offers a fresh and important look at cinema as a the most visible site in the contest and transmission of the colonial, anticolonial, and post-colonial histories in France and Algeria. Her ability to deploy rigorous historical research, rich and thoughtful analysis of film and filmmakers over the past 70 years, and a personal touch that comes through her sustained oral histories with many leading directors, puts her into a unique class of film scholars. This book illustrates how film and cinema interacted with the past and how our present is informed by the media and art in this increasingly influential transnational arena.