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The Genesis of Modern Chinese Literary Criticism (1917–1930): Routledge Library Editions: Chinese Literature and Arts

Autor Marián Gálik
en Limba Engleză Hardback – 18 mai 2022
This book, first published in 1980, is a history of modern Chinese literary criticism between the years 1917 and 1930. It examines its development within the overall frame of reference of Chinese national literature from the beginnings of the Chinese literary revolution in 1917 until the end of the first efforts at a revolutionary proletarian literature in 1930. Chinese literary criticism is also analysed within the framework of world literature, of world literary thought, especially of the impact of the progressive literary criticism.
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Specificații

ISBN-13: 9781032250700
ISBN-10: 1032250704
Pagini: 360
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.83 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Library Editions: Chinese Literature and Arts

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate, Undergraduate Advanced, and Undergraduate Core

Cuprins

1. Hu Shih, Chou Tso-jen, Ch’en Tu-hsiu and the Beginning of Modern Chinese Literary Criticism  2. Kuo Mo-jo and his Development from Aesthetico-impressionist to Proletarian Criticism  3. Ch’eng Fang-wu and his Development from Socio-aesthetic to ‘Total Criticism’  4. Yü Ta-fu and his Panaesthetic Criticism  5. Teng Chung-hsia, Yün Tai-ying, Hsiao Ch’u-nü and the Beginning of Concerned Literary Criticism  6. Chiang Kuang-tz’u’s Theory of Revolutionary Literature  7. Chi’en Hsing-ts’un’s Theory of Proletarian Realism and ‘Literature Power’  8. Mao Tun’s Struggle for a Realistic and Marxist Theory of Literature  9. Ch’ü Ch’iu-pai’s Russian Example and the Concept of Reality in Literature and Art  10. Lu Hsün’s Contribution to the History of Modern Chinese Literary Criticism and his Struggle for a United Marxist Front  11. Liang Shih-ch’iu and Chinese New Humanism  12. Feng Nai-ch’ao, Li Ch’u-li and their Leftist Theory of Art and Literature

Descriere

This book, first published in 1980, is a history of modern Chinese literary criticism between the years 1917 and 1930. It examines its development within the framework of Chinese national literature undergoing a literary revolution in as well as that of world literature and the impact of progressive literary criticism.