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The History and Life Stories of European Women in the Arts: From the Middle Ages to the Present: Theory and History in the Human and Social Sciences

Autor Milena Gammaitoni
en Limba Engleză Paperback – apr 2023
Offering historical identity fortified by the presence of women belonging to the various areas of creative and intellectual life, this book allows readers to understand greater contexts of their identity. 
The history of female artists is an indicator of how social identity was erased from the historiography which asserted itself in nineteenth-century Europe. Analysis of the biographical pathways traced here reveals how women in the Middle Ages and beyond have been active protagonists of the arts, received reviews, as well as had an authoritative role as the esteemed and attentive witnesses of the society around them.
Reconstruction of social relationships, intellectual and creative production as well as of the life stories of some of Europe’s most important female artists, foregrounds this omission and highlights their extraordinary nature.
The different stories contained in this book narrate the lives and works of Hildegard von Bingen, Francesca Caccini, Mary Wollstonecraft, George Sand, Lou Andreas Salomé and Elke Mascha Blankenburg.
By reinforcing the awareness of social and historical origins, the informed reader is better equipped to tackle their futures and build up their personalities.
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Specificații

ISBN-13: 9783030944582
ISBN-10: 3030944581
Pagini: 185
Ilustrații: X, 185 p.
Dimensiuni: 155 x 235 x 19 mm
Greutate: 0.28 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Springer
Seria Theory and History in the Human and Social Sciences

Locul publicării:Cham, Switzerland

Cuprins

Introduction.- Research: Hildegard Von Bingen.- Francesca Caccini.- Mary Wollstonecraft.- George Sand.- Lou Andreas Salomé.- Elke Mascha Blankenburg.- To conclude: A short story of Saint Cecilia.- Teaching and female artists in Italy.

Notă biografică

Milena Gammaitoni is a researcher in the field of General Sociology, at the University of Roma Tre, Faculty of Education. She did her PhD in
Theory and Social Social Research (University La Sapienza) and a post-doctorate at the Ecole des Hautes Etudes en Sciences Sociales in Paris;
She is professor of sociological disciplines at the University of Roma Tre, Jagiellonian University of Krakow, Sorbonne Nouvelle in Paris; her studies focus on the social condition of contemporary artists, the methodology of qualitative and complementary social research; she is author of three monographic volumes (The Social Action of the Poet, W. Szymborska in the Life of Readers in Poland and Italy; The social function of the musician, Life stories of European women artists, from the Middle Ages to the contemporary age.), and numerous essays in collective volumes and scientific journals.

Textul de pe ultima copertă

Offering historical identity fortified by the presence of women belonging to the various areas of creative and intellectual life, this book allows readers to understand greater contexts of their identity. 
The history of female artists is an indicator of how social identity was erased from the historiography which asserted itself in nineteenth-century Europe. Analysis of the biographical pathways traced here reveals how women in the Middle Ages and beyond have been active protagonists of the arts, received reviews, as well as had an authoritative role as the esteemed and attentive witnesses of the society around them.
Reconstruction of social relationships, intellectual and creative production as well as of the life stories of some of Europe’s most important female artists, foregrounds this omission and highlights their extraordinary nature.
The different stories contained in this book narrate the lives and works of Hildegard von Bingen, Francesca Caccini, Mary Wollstonecraft, George Sand, Lou Andreas Salomé and Elke Mascha Blankenburg.
By reinforcing the awareness of social and historical origins, the informed reader is better equipped to tackle their futures and build up their personalities.

Caracteristici

For students and scholars involved in gender, women’s history in music and literature, and sociology Written for researchers interested in the sociology of women and in gender studies Explores the intersection of female sociology, history of art, and gender studies