The Invention of Robert Bresson – The Auteur and His Market
Autor Colin Burnetten Limba Engleză Hardback – 18 dec 2016
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 220.13 lei 6-8 săpt. | |
MH – Indiana University Press – 18 dec 2016 | 220.13 lei 6-8 săpt. | |
Hardback (1) | 440.71 lei 6-8 săpt. | |
MH – Indiana University Press – 18 dec 2016 | 440.71 lei 6-8 săpt. |
Preț: 440.71 lei
Preț vechi: 572.34 lei
-23% Nou
Puncte Express: 661
Preț estimativ în valută:
84.34€ • 87.87$ • 70.13£
84.34€ • 87.87$ • 70.13£
Carte tipărită la comandă
Livrare economică 10-24 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780253024695
ISBN-10: 0253024692
Pagini: 288
Dimensiuni: 159 x 234 x 22 mm
Greutate: 0.55 kg
Editura: MH – Indiana University Press
ISBN-10: 0253024692
Pagini: 288
Dimensiuni: 159 x 234 x 22 mm
Greutate: 0.55 kg
Editura: MH – Indiana University Press
Notă biografică
Colin Burnett is Assistant Professor of Film and Media Studies at Washington University in St. Louis. He has published articles in Film History, Transnational Cinema(s), Studies in French Cinema, The Journal of American Studies, and New Review of Film and Television Studies, and written essays for Robert Bresson (Revised), The Routledge Encyclopedia of Film Theory, Directory of World Cinema: France, A Companion to Media Authorship, and Arnheim for Film and Media Studies.
Cuprins
Acknowledgments
Introduction
Part One: Alternative Institutions
1. Under the Aegis of Surrealism: How a Publicity Artist Became the Manager of an Independent Film Company
2. The Rise of the Accursed: When Bresson was Co-President of an Avant-Garde Ciné-Club
Part Two: Vanguard Forms
3. Purifying Cinema: The Provocations of Faithful Adaptation and First-Person Storytelling in "Ignace de Loyola" (1948) and Journal d'un curé de campagne (1951)
4. Theorizing the Image: Bresson's Challenge to the Realists-Sparse Set Design, Acting and Photography from Les anges du péché (1943) to Une femme douce (1969)
5. Vernacularizing Rhythm: Bresson and the Shift Toward Dionysian Temporalities-Plot Structure and Editing from Journal d'un curé de campagne (1951) to L'argent (1983)
Afterword
Selected Bibliography
Index
Introduction
Part One: Alternative Institutions
1. Under the Aegis of Surrealism: How a Publicity Artist Became the Manager of an Independent Film Company
2. The Rise of the Accursed: When Bresson was Co-President of an Avant-Garde Ciné-Club
Part Two: Vanguard Forms
3. Purifying Cinema: The Provocations of Faithful Adaptation and First-Person Storytelling in "Ignace de Loyola" (1948) and Journal d'un curé de campagne (1951)
4. Theorizing the Image: Bresson's Challenge to the Realists-Sparse Set Design, Acting and Photography from Les anges du péché (1943) to Une femme douce (1969)
5. Vernacularizing Rhythm: Bresson and the Shift Toward Dionysian Temporalities-Plot Structure and Editing from Journal d'un curé de campagne (1951) to L'argent (1983)
Afterword
Selected Bibliography
Index