The Invisible Art of Literary Editing
Autor Bryan Furuness, Sarah Laydenen Limba Engleză Paperback – 8 mar 2023
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Specificații
ISBN-13: 9781350296480
ISBN-10: 1350296481
Pagini: 152
Ilustrații: 10 bw illus
Dimensiuni: 189 x 246 x 14 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350296481
Pagini: 152
Ilustrații: 10 bw illus
Dimensiuni: 189 x 246 x 14 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Offers 5 examples of before, after and in-progress manuscripts featuring an editor's mark-up, with an interview with the editor on their decision making afterwards, allowing readers to learn from an experienced professional and to emulate them
Notă biografică
Bryan Furuness is Senior Lecturer of English, Butler University, USA and is the author of the novels Do Not Go On and The Lost Episodes of Revie Bryson. He has also edited several anthologies, including My Name Was Never Frankenstein: And Other Classic Adventure Tales Remixed.
Sarah Layden is Assistant Professor of English, Indiana University-Purdue University, USA. She is the author of Trip Through Your Wires and The Story I Tell Myself About Myself. Her recent nonfiction appears in The Washington Post, Poets & Writers, Salon, and The Millions.
Cuprins
Bios Acknowledgments IntroductionHow this Book is Organized The Focus of this Book 1) Aesthetic: You know it when you see it A Few Words About Mission Exercise: Mission and Aesthetic Vision Exercise: Build a Prototype Journal 2) Acquisition Solicited Subs Unsolicited Work Submission Guidelines Call for Submissions Strategies for Dealing with Submissions Case Study: descant literary magazine Case Study: Rose Metal Press 3) Responding to Submissions Unconditional Acceptance Conditional Acceptance Specific Conditional Acceptance Invitation to Revise and Resubmit Personalized Rejection Warm Form Rejection Form Rejection Best Practices in Rejection Dealing with Blowback 4) Correspondence Initial Contact Sending Edits Confirmation 5) Case Studies Julie Riddle Creative Nonfiction/Personal Essay Valerie Vogrin Creative Nonfiction/Personal Essay Maggie Smith Poetry Mark Doten Fiction Student Example: Grace Dillow Fiction 6) Test Editing Global Editing Editing with a Heavy Hand Editing with the Body Selection and Sequencing Editing with Lenses Scalpel Edit Crafting an Editing Philosophy: A Capstone Assignment Appendix CPR Dummy Stories Dispatch from the Bunker We All Just Pretended To Like it So You Wouldn't Flunk Us Evolution Editing Philosophy Statements: Student Examples Chelsea Yedinak Mackenzie Thompson Lydia Gentry Index