The Ironist and the Romantic: Reading Richard Rorty and Stanley Cavell
Autor Dr Áine Mahonen Limba Engleză Paperback – 18 noi 2015
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Specificații
ISBN-13: 9781474265898
ISBN-10: 1474265898
Pagini: 208
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1474265898
Pagini: 208
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Presents
a
timely
profile
and
interrogation
of
the
philosophical
achievements
of
these
two
important
figures
Notă biografică
Áine
Mahonis
a
Fulbright
Visiting
Scholar
in
the
Department
of
Philosophy
at
The
New
School
for
Social
Research,
New
York,
USA.
Cuprins
List
of
AbbreviationsIntroduction1.
Return
of
the
Invisible
Tomato2.
What's
the
Use
of
Calling
Cavell
a
Pragmatist?3.
The
Turn
to
Literature4.
Stylists
of
the
Philosophical5.
The
Personal
and
the
PoliticalConclusionNotesBibliographyIndex
Recenzii
In
different
ways,
Stanley
Cavell
and
Richard
Rorty
each
argued
that
in
philosophy
at
its
highest
levels
of
accomplishment
voice
and
sensibility
are
inseparable
from
content
and
argument.
Áine
Mahon's
comparative
study
situates
and
assesses
their
claims
in
relation
to
wider
issues
about
knowledge,
literature,
politics,
and
public
life,
pitting
Cavell's
pursuit
of
intense
exemplarity
against
Rorty's
commitment
to
ironically
qualified
solidarity.
Her
work
will
be
indispensable
to
anyone
concerned
to
think
about
American
philosophy's
pasts,
publics,
and
prospects.
Ranging from Emerson to Wittgenstein, and from pragmatism to postmodernism, with many other topics and themes in between,The Ironist and the Romanticreveals just how rich and varied the American philosophical conversation has been, and, perhaps even more importantly, just how necessary it is to keep the conversation going.
Charting separate tracks through the perilous thickets of philosophizing after Wittgenstein, both Richard Rorty and Stanley Cavell have refused the hollow clichés and boastful promises by which far too much of contemporary philosophy lets itself off the hook. How can we fully confront the unmooring of foundations, the persistence of disagreement, and other fraying problems of our cultural present? In launching a comparative study of Cavell and Rorty, Áine Mahon has her finger on the pulse of the humanities today in all of their strange rhythms. With clear prose and catchy phrase, Mahon develops productive engagements with Rorty, Cavell, literature, film, and the philosophy of philosophy. In so doing, she motivates our engagement with two of the best options available to us in the philosophical present, and she shows how these options both refract and resist one another.
Ranging from Emerson to Wittgenstein, and from pragmatism to postmodernism, with many other topics and themes in between,The Ironist and the Romanticreveals just how rich and varied the American philosophical conversation has been, and, perhaps even more importantly, just how necessary it is to keep the conversation going.
Charting separate tracks through the perilous thickets of philosophizing after Wittgenstein, both Richard Rorty and Stanley Cavell have refused the hollow clichés and boastful promises by which far too much of contemporary philosophy lets itself off the hook. How can we fully confront the unmooring of foundations, the persistence of disagreement, and other fraying problems of our cultural present? In launching a comparative study of Cavell and Rorty, Áine Mahon has her finger on the pulse of the humanities today in all of their strange rhythms. With clear prose and catchy phrase, Mahon develops productive engagements with Rorty, Cavell, literature, film, and the philosophy of philosophy. In so doing, she motivates our engagement with two of the best options available to us in the philosophical present, and she shows how these options both refract and resist one another.