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The Language and Style of Film Criticism

Editat de Andrew Klevan, Alex Clayton
en Limba Engleză Hardback – 21 apr 2011
The Language and Style of Film Criticism brings together original essays from an international range of academics and film critics highlighting the achievements, complexities and potential of film criticism.
In recent years, in contrast to the theoretical, historical and cultural study of film, film criticism has been relatively marginalised, especially within the academy. This book highlights the distinctiveness of film criticism and addresses ways in which it can take a more central place within the academy and develop in dynamic ways outside it.The Language and Style of Film Criticism is essential reading for academics, teachers, students and journalists who wish to understand and appreciate the language and style of film criticism.
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Specificații

ISBN-13: 9780415560955
ISBN-10: 0415560950
Pagini: 208
Ilustrații: 35 halftones
Dimensiuni: 156 x 234 mm
Greutate: 0.54 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Undergraduate

Cuprins

Introduction: The Language and Style of Film Criticism Alex Clayton and Andrew Klevan  Chapter 1. Coming to Terms Alex Clayton  Chapter 2. Questioning Style Robert Sinnerbrink  Chapter 3. Incursions Adrian Martin  Chapter 4. Description Andrew Klevan  Chapter 5. Writing about Performance: The Film Critic as Actor George Toles  Chapter 6. Silence and Stasis William Rothman  Chapter 7. Four Against the House Richard Combs  Chapter 8. Being Seized Charles Warren  Chapter 9. Memories That Don’t Seem Mine Lesley Stern  Chapter 10. La Caméra-Stylo: Notes on Video Criticism and Cinephilia Christian Keathley

Descriere

The Language and Style of Film Criticism brings together a range of essays from international academics and film critics highlighting the achievements, complexities and potential of film criticism.
In recent years, in contrast to the theoretical, historical and cultural study of film, film criticism has been relatively marginalised, especially within the academy. This book highlights the distinctiveness of film criticism and addresses ways in which it can take a more central place within the academy and develop in dynamic ways outside it.
The Language and Style of Film Criticism is essential reading for academics, teachers, students and journalists who wish to understand and appreciate the language and style of film criticism.