The Last Man
Autor Mary Wollstonecraft Shelleyen Limba Engleză Paperback – 30 iun 2014
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Specificații
ISBN-10: 1483705714
Pagini: 262
Dimensiuni: 191 x 235 x 14 mm
Greutate: 0.45 kg
Editura: Bottom of the Hill Publishing
Notă biografică
Descriere
'The last man! I may well describe that solitary being's feelings, feeling myself as the last relic of a beloved race, my companions extinct before me.' Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband's death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague. The Last Man also functions as an intriguing roman à clef, for the saintly Adrian is a monument to Percy Bysshe Shelley, and his friend Lord Raymond is a portrait of Byron. The novel offers a vision of the future that expresses a reaction against Romanticism, as Shelley demonstrates the failure of the imagination and of art to redeem her doomed characters. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Textul de pe ultima copertă
Mary Shelley's third published novel, The Last Man, is a disillusioned vision of the end of civilization, set in the twenty-first century. The book offers a sweeping account of war, plague, love, and desolation. It is the sort of apocalyptic vision that was widespread at the time, though Shelley's treatment of the theme goes beyond the conventional; it is extraordinarily interesting and deeply moving.
If The Last Man is in some sense a "conventional" text of the period, it is also intensely personal in its origin; Shelley refers in her journal to the last man as her alter ego, "the last relic of a beloved race, my companions extinct before me." The novel thus develops out of and contributes to a network of story and idea in which fantasy, allusion, convention, and autobiography are densely interwoven.
This new version of the first edition (1826) sets out to provide not only a thoroughly annotated text, but also contextual materials to help the reader acquire knowledge of the intellectual and literary milieu out of which the novel emerged. Appendices include material on "the last man" as early nineteenth-century hero, texts from the debate initiated by Malthus in 1798 about the adequacy of food supply to sustain human population, various accounts of outbreaks of plague, and Shelley's poems representing her feelings after the death of her husband.