The Last of the Duchess
Autor Caroline Blackwood James Foxen Limba Engleză Paperback – oct 2012
Maître Blum refused to let Blackwood near the Duchess, spinning elaborate excuses as to why she was unavailable and threatening anyone who dared suggest that she was in anything other than the best of health. Still, while Blum's machinations restricted Blackwood's ability to publish a frank interview, it only served to pique her interest in the bizarre relationship between the infamous Duchess—a woman who once inspired a king to abdicate his crown—and her eccentric, domineering gatekeeper. Sixteen years later, Blackwood turned her experiences into this riveting and excoriating modern classic about the frailties of old age, the foibles of society, and the dual-edged nature of celebrity.
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Specificații
ISBN-13: 9780345802637
ISBN-10: 0345802632
Pagini: 295
Dimensiuni: 124 x 191 x 16 mm
Greutate: 0.24 kg
Editura: VINTAGE BOOKS
ISBN-10: 0345802632
Pagini: 295
Dimensiuni: 124 x 191 x 16 mm
Greutate: 0.24 kg
Editura: VINTAGE BOOKS
Notă biografică
Caroline Blackwood, who began her writing career as a journalist, is the author of nine books, which include novels, collections of short stories, and a cookbook. She was awarded the David Higham Fiction Prize for her first novel, The Stepdaughter, and her novel Great Granny Webster was recommended for the Booker Prize for Fiction shortlist in 1977. She died in 1996.
Recenzii
“A sharply observed (and sometimes very funny) portrait of the frivolous world of wealth and luxury inhabited by the Windsors.” —Michiko Kakutani, The New York Times
“Beguiling. . . . Blackwood is witty, understated and perceptive.” —The Washington Post
“The central character in The Last of the Duchess never appears at all but, like Godot in Beckett’s play, becomes more powerful by her absence. . . . Brilliant—and brilliantly entertaining—journalism.” —Chicago Tribune
“A fierce, scintillatingly funny report on a dying social circle.” —The Independent (London)
“Beguiling. . . . Blackwood is witty, understated and perceptive.” —The Washington Post
“The central character in The Last of the Duchess never appears at all but, like Godot in Beckett’s play, becomes more powerful by her absence. . . . Brilliant—and brilliantly entertaining—journalism.” —Chicago Tribune
“A fierce, scintillatingly funny report on a dying social circle.” —The Independent (London)