The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam: SOAS Studies in Music
Autor Rachel Harrisen Limba Engleză Hardback – 28 oct 2008
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Specificații
ISBN-13: 9780754663829
ISBN-10: 0754663825
Pagini: 176
Dimensiuni: 156 x 234 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
ISBN-10: 0754663825
Pagini: 176
Dimensiuni: 156 x 234 mm
Greutate: 0.5 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction; An overview of Uyghur music; A short history of the canon; Abdullah Mäjnun: muqam expert; Negotiating the canon; Situating the 12 muqam; The impact of canonisation; Endnote; Appendix; Bibliography; Index.
Notă biografică
Dr Rachel Harris is Lecturer in Musicology in the Department of Music, SOAS, UK
Recenzii
’... thorough and scholarly... an excellent book and a real contribution to the literature. ... I recommend this book strongly to those interested in the Uyghurs and their musical culture, as well as the broader question of ethnic cultures, both in China and the wider world in general. I also strongly recommend the book and the CD to music lovers.’ The China Journal ’... researched extensively...’ Songlines ’This is a book of remarkable appeal to scholars of Central Asian music and anyone with theoretical interests in the formation of musical canons.’ Ethnomusicology '... a valuable contribution to the scholarship on this little-known Central Asian tradition.' Ethnomusicology Forum
Descriere
Throughout the course of the twentieth century, as newly formed nations sought ways to develop and formalize their national identity and acquire a range of identifiable national assets, we find new musical canons springing up across the world. But these canons are not arbitrary collections of works imposed on the public by the authorities. Rather they acquire deep resonance and meaning, both as national symbols and as musical repertoires imbued with aesthetic value. This book traces the formation of one such musical canon: the Twelve Muqam, a set of musical suites linked to the Uyghurs, who are one of China's minority nationalities, and culturally Central Asian Muslims.