War, Exile and the Music of Afghanistan: The Ethnographer’s Tale: SOAS Studies in Music
Autor John Bailyen Limba Engleză Paperback – 3 aug 2016
John Baily is also an ethnographic filmmaker. Four of his films relating to his research are included on the downloadable resources that accompanies the text.
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Specificații
ISBN-13: 9781138205116
ISBN-10: 1138205117
Pagini: 246
Ilustrații: 19
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138205117
Pagini: 246
Ilustrații: 19
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.41 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria SOAS Studies in Music
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction; Before the communist coup of 1978; The jihâd (holy war) era; The mujahideen parties come to power; Taliban times; Kabul after the Taliban; The global circulation of Afghanistan’s music; The summing up; Glossary of musical instruments; Bibliography; Index.
Notă biografică
John Baily is Emeritus Professor of Ethnomusicology at Goldsmiths, University of London. He holds doctorates in experimental psychology and ethnomusicology, and is trained in anthropological filmmaking. Baily has taught at The Queen’s University of Belfast, Columbia University and Goldsmiths; most of his research has been on the music of Afghanistan.
Recenzii
’With its complementary DVD, this book gives a vivid picture of what has been happening since the communist government was worn down by the jihadis, and mujahideen rule gave way to that of the Taliban, who burned instruments and persecuted their owners’. The Independent
'With its complementary DVD, this book gives a vivid picture of what has been happening since the communist government was worn down by the jihadis, and mujahideen rule gave way to that of the Taliban, who burned instruments and persecuted their owners.' The Independent
'It forms a common ground that will allow ethnomusicologists to communicate with
anthropologists, and film-makers with singers and musicians. The result is a harmonious interpolation destined to shepherd the reader calmly through Afghanistan’s crisis of war and exile. It will be seen as a classic text on the
country’s music.' Nichola Khan, Journal of the Royal Antrhopological Institute
"This book is a valuable read for anyone interested in Afghanistan's music in the light of its contemporary history or, vice versa, its contemporary history from the point of view of its music, since it is very comprehensive in both respects, with interesting reflections on the deep mechanisms at work in this vast example." – Mathieu Clavel - Translated from French by Sarah Baily
'With its complementary DVD, this book gives a vivid picture of what has been happening since the communist government was worn down by the jihadis, and mujahideen rule gave way to that of the Taliban, who burned instruments and persecuted their owners.' The Independent
'It forms a common ground that will allow ethnomusicologists to communicate with
anthropologists, and film-makers with singers and musicians. The result is a harmonious interpolation destined to shepherd the reader calmly through Afghanistan’s crisis of war and exile. It will be seen as a classic text on the
country’s music.' Nichola Khan, Journal of the Royal Antrhopological Institute
"This book is a valuable read for anyone interested in Afghanistan's music in the light of its contemporary history or, vice versa, its contemporary history from the point of view of its music, since it is very comprehensive in both respects, with interesting reflections on the deep mechanisms at work in this vast example." – Mathieu Clavel - Translated from French by Sarah Baily
Descriere
This new publication is the culmination of Baily’s further research on Afghan music over the last 35 years. Arranged chronologically, the narrative traces the sequence of political events - from 1978, through the Soviet invasion, to the coming of the Taliban and, finally, the aftermath of the US-led invasion in 2001. He examines the effects of t