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The Methuen Drama Companion to Performance Art de Bertie Ferdman

The Methuen Drama Companion to Performance Art: Methuen Drama Handbooks

Editat de Bertie Ferdman, Jovana Stokic
en Limba Engleză Paperback – 5 oct 2022
The Methuen Drama Companion to Performance Art offers a comprehensive guide to the major issues and interdisciplinary debates concerning performance in art contexts that have developed over the last decade. It understands 'performance art' as an institutional, cultural, and economic phenomenon rather than as a label or object. Following the ever-increasing institutionalization and mainstreaming of performance and its methods of display, representation, and mediation in the wider cultural sphere, the book's chapters identify a marked change in the economies and labor practices surrounding performance art and its institutional curating and presenting practices, reflective of an advanced stage of capitalism that approaches art production in tandem with event production. Embracing what we perceive to be the 'oxymoronic status' of performance art-where it is simultaneously precarious and highly profitable-the essays in this book map the myriad gestures and radical possibilities of this extreme contradiction.The Companion activates an interdisciplinary perspective to better attend to performance art's legacies and its current practices. It brings together specially commissioned essays from leading innovative scholars from a wide range of approaches including art history, visual and performance studies, dance and theatre scholarship in order to provide a non-hierarchical merging of the disciplines within and between the humanities. It provides ten methodological directions that examine possibilities of transformative change-the core of performance art's transgressive radical legacy. The book also includes a section on new directions and resources devoted to performance art. The chapters will thus provide multifocal perspectives on recent research trends to offer an array of intertwined methodologies.
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Specificații

ISBN-13: 9781350336162
ISBN-10: 1350336165
Pagini: 320
Ilustrații: 34 bw illus
Dimensiuni: 156 x 234 x 29 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Methuen Drama Handbooks

Locul publicării:London, United Kingdom

Caracteristici

Strong interdisciplinary appeal by bringing together a variety of well established and emerging scholars, theorists, art critics, historians, spatial theorists, and practitioners whose approaches are drawn from performance theory, art history, visual and media studies, dance and movement scholarship

Notă biografică

Bertie Ferdman is Professor of Theatre at Borough Manhattan Community College and consortium faculty at The Graduate Center, CUNY, USA. Recent publications include Off Sites: Contemporary Performance beyond Site-Specific (2018) and Curating Dramaturgies: How Dramaturgy and Curating are Intersecting in the Contemporary Arts (2021), co-edited with Peter Eckersall.Jovana Stokic is a Belgrade-born, New York-based art historian and curator. She is currently on the faculty of the MFA Art Practice, School of Visual Arts, New York, USA, and New York University Steinhardt Department of Art and Art Professions. She holds a PhD from the Institute of Fine Arts, New York University.

Cuprins

List of IllustrationsNotes on ContributorsAcknowledgementsPart I - IntroductionSquaring Performance ArtBertie Ferdman (City University of New York, USA) and Jovana Stokic (New York University, USA)Part II - Issues and Problems: Future Directions in Performance Art ResearchReruns or New TurnsJovana Stokic (New York University, USA)Cross-disciplinarity and Antitheatrical Historiographies of Performance ArtBertie Ferdman (City University of New York, USA)Part III - Essays1. How Performance Art Makes History: Artists' Auto-histories of Happenings and Fluxus in the 1960sHeike Roms (University of Exeter, UK)2. Queer Performativity: A Critical Genealogy of a Politics of Doing in Art PracticeAmelia Jones (University of Southern California, USA)3. Taking Up Instructions for BecomingRebecca Schneider (Brown University, USA)4. Caring for Black Corporealities: Experimental Black PerformanceThomas deFrantz (Duke University, USA)5. Between Contemporary Art and Performance: Dramaturgy and FlowPeter Eckersall (City University of New York, USA)6. Acting Ethical: Performance Art Goes PublicMalik Gaines (New York University, USA)7. Compassionate Acts:Performance as Radical CareNikki Cesare Schotzko (University of Toronto, Canada)8. The Labor of the Artist, Feminist Practices, and Troubles with InfrastructureBojana Kunst (University Giessen, Germany)9. Gestural StudySven Lütticken (Vrije Universiteit, Netherlands)10. Stomaching It: Black Performance Art and Penetrating the Inscrutable BodyDanielle Bainbridge (Northwestern, USA)11. Performative Bodies and Artists/Spectators: The Case of Radical Latina and Latin American Women Artists in ExhibitionCecilia Fajardo-Hill (Independent Scholar, Venezuela)12. Framing Live ArtLois Keidan (Live Art Development Agency, UK)13. From the Institution of Performance to the Performance of InstitutionsJonah Westerman (State University of New York, USA) and Catherine Wood (Tate Modern, UK)14. Performance in the Age of the TechnosphereChris Salter (Concordia University, Canada)Part IV- Annotated Bibliography and ResourcesEylül Fidan Akinci (Ghent University, Belgium)Index