The Monster in Theatre History: This Thing of Darkness
Autor Michael Chemersen Limba Engleză Hardback – aug 2017
The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them.
This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.
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Specificații
ISBN-13: 9781138210899
ISBN-10: 1138210897
Pagini: 204
Ilustrații: 12
Dimensiuni: 138 x 216 x 13 mm
Greutate: 0.34 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138210897
Pagini: 204
Ilustrații: 12
Dimensiuni: 138 x 216 x 13 mm
Greutate: 0.34 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Foreword by Mike Carey
Introduction: The Dramaturgy of Empathy
Why Study Monsters?
The Act of Fear
The Monster as Surrogate
Chapter One: Caliban’s Legacy
How to Hunt Monsters: The Seven Theses for the Stage
Chapter Two: Prometheus the Thief
Monstrous Transgressions
Regarding Parenting
The Modern Prometheus
Chapter Three: Presumption
"-----"
The Prerogative of God
Chapter Four: The Vampire Trap
Back from the Dead
The Rise of Ruthven
Angels of Hell
Wicked Souls, Wise Purposes
The Love that is Death
The Haemosexual Agenda
Chapter Four: Toys Are Us
The Uncanny
The Jew’s Monster
Golem on the Pulpit
An Angel Come Too Late
The Technolegacy of the Golem
Chapter Six: Boo
Phantom History
Who’s There?
The Spectre of War
Aristotle, Revenant
The Romantic Geist
Chapter Seven: Hairey Betwixt
The Werewolf Problem
Horrifying Transformations
Lupus Est Homo
Conclusion
Defense Against the Dark Art
Introduction: The Dramaturgy of Empathy
Why Study Monsters?
The Act of Fear
The Monster as Surrogate
Chapter One: Caliban’s Legacy
How to Hunt Monsters: The Seven Theses for the Stage
Chapter Two: Prometheus the Thief
Monstrous Transgressions
Regarding Parenting
The Modern Prometheus
Chapter Three: Presumption
"-----"
The Prerogative of God
Chapter Four: The Vampire Trap
Back from the Dead
The Rise of Ruthven
Angels of Hell
Wicked Souls, Wise Purposes
The Love that is Death
The Haemosexual Agenda
Chapter Four: Toys Are Us
The Uncanny
The Jew’s Monster
Golem on the Pulpit
An Angel Come Too Late
The Technolegacy of the Golem
Chapter Six: Boo
Phantom History
Who’s There?
The Spectre of War
Aristotle, Revenant
The Romantic Geist
Chapter Seven: Hairey Betwixt
The Werewolf Problem
Horrifying Transformations
Lupus Est Homo
Conclusion
Defense Against the Dark Art
Notă biografică
Michael Chemers is an Associate Professor of Theater Arts at the University of California Santa Cruz, USA.
Descriere
The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers reconsiders what monsters in performance might mean to those who witness them.