The Move Beyond Form: Creative Undoing in Literature and the Arts since 1960
Autor M. Hughesen Limba Engleză Hardback – 18 mar 2013
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Specificații
ISBN-13: 9781137310170
ISBN-10: 1137310170
Pagini: 237
Ilustrații: XI, 237 p. 1 illus.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.41 kg
Ediția:2013
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
ISBN-10: 1137310170
Pagini: 237
Ilustrații: XI, 237 p. 1 illus.
Dimensiuni: 140 x 216 x 20 mm
Greutate: 0.41 kg
Ediția:2013
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Locul publicării:New York, United States
Cuprins
Introduction: A Tale of Competing Critical Narratives 1. The Move Beyond Form in Context 2. Transforming Space over Time: The Visual Arts 3. Musical Interplay: Tan Dun's The Map and other Examples 4. Refusing Self-Containment: Coetzee's Diary of a Bad Year 5. Dissolving Boundaries, Exposing Webs 6. Echoing Spaces Beyond the Boundaries 7. Hybrid Zones in the Mirror Arcade: The Receding Real 8. Traversing Medial Spaces Beyond the Ending 9. ReMaking
Recenzii
'A sophisticated and engaging work that makes a significant contribution to the field of contemporary aesthetics and critical theory.' - Christopher A. Dustin, Professor of Philosophy, College of the Holy Cross
'In this book Mary-Joe Hughes shows how our post-sixties culture bears witness to a dramatic dissolution of boundaries between form and content, author and reader, text and world. Challenging the postmodern cult of Theory the author lets works of art - music, film, painting and literature - speak for themselves, while remaining critically conversant with the philosophies of Derrida and Levinas. The book makes a powerful plea for creative interconnection over cynical conflation, for inventive hybridity over consumerist confusion, citing contemporary works from Coetzee and Calvino to Peter Weir and Yo-Yo Ma. The author convinces by a combination of intellectual audacity, critical integrity and deep imagination.' - Richard Kearney, Charles Seelig Chair of Philosophy, Boston College
'In this book Mary-Joe Hughes shows how our post-sixties culture bears witness to a dramatic dissolution of boundaries between form and content, author and reader, text and world. Challenging the postmodern cult of Theory the author lets works of art - music, film, painting and literature - speak for themselves, while remaining critically conversant with the philosophies of Derrida and Levinas. The book makes a powerful plea for creative interconnection over cynical conflation, for inventive hybridity over consumerist confusion, citing contemporary works from Coetzee and Calvino to Peter Weir and Yo-Yo Ma. The author convinces by a combination of intellectual audacity, critical integrity and deep imagination.' - Richard Kearney, Charles Seelig Chair of Philosophy, Boston College
Notă biografică
Mary Jo Hughes is the assistant director of the Arts and Sciences Honors Program at Boston College.