Cantitate/Preț
Produs

The Museum Age in Austria–Hungary – Art and Empire in the Long Nineteenth Century

Autor Matthew Rampley, Markian Prokopovych, Nóra Veszprémi
en Limba Engleză Paperback – 20 feb 2023
A critical study of the history of public art museums in Austria-Hungary, examining their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg state.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 23431 lei  3-5 săpt. +2324 lei  6-12 zile
  Penn State University – 20 feb 2023 23431 lei  3-5 săpt. +2324 lei  6-12 zile
Hardback (1) 56619 lei  6-8 săpt.
  Penn State University – 14 feb 2021 56619 lei  6-8 săpt.

Preț: 23431 lei

Preț vechi: 28574 lei
-18% Nou

Puncte Express: 351

Preț estimativ în valută:
4485 4823$ 3738£

Carte disponibilă

Livrare economică 29 noiembrie-13 decembrie
Livrare express 14-20 noiembrie pentru 3323 lei

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780271087115
ISBN-10: 0271087110
Pagini: 300
Ilustrații: 47 Halftones, black and white
Dimensiuni: 178 x 253 x 25 mm
Greutate: 0.53 kg
Editura: Penn State University

Descriere

This important critical study of the history of public art museums in Austria-Hungary explores their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg Empire. Focusing on institutions in Vienna, Cracow, Prague, Zagreb, and Budapest, The Museum Age in Austria-Hungary traces the evolution of museum culture over the long nineteenth century, from the 1784 installation of imperial art collections in the Belvedere Palace (as a gallery open to the public) to the dissolution of Austria-Hungary after the First World War. Drawing on source materials from across the empire, the authors reveal how the rise of museums and display was connected to growing tensions between the efforts of Viennese authorities to promote a cosmopolitan and multinational social, political, and cultural identity, on the one hand, and, on the other, the rights of national groups and cultures to self-expression.

They demonstrate the ways in which museum collecting policies, practices of display, and architecture engaged with these political agendas and how museums reflected and enabled shifting forms of civic identity, emerging forms of professional practice, the production of knowledge, and the changing composition of the public sphere. Original in its approach and sweeping in scope, this fascinating study of the museum age of Austria-Hungary will be welcomed by students and scholars interested in the cultural and art history of Central Europe.


Notă biografică