The Music Treatises of Thomas Ravenscroft: 'Treatise of Practicall Musicke' and A Briefe Discourse: Music Theory in Britain, 1500–1700: Critical Editions
Autor Ross W. Duffinen Limba Engleză Hardback – 28 iun 2014
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Specificații
ISBN-13: 9780754667308
ISBN-10: 0754667308
Pagini: 256
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.59 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Music Theory in Britain, 1500–1700: Critical Editions
Locul publicării:Oxford, United Kingdom
ISBN-10: 0754667308
Pagini: 256
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.59 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Music Theory in Britain, 1500–1700: Critical Editions
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: General introduction: Ravenscroft’s biography; Ravenscroft’s circle. Introduction to the Treatises: Treatise of Practicall Musicke (British Library Additional MS 19758); A Briefe Discourse; Relationship between the treatises; The legacy of the treatises; Harmonicall Examples. ’Treatise of Practicall Musicke’ (British Library Additional MS 19758); Notes. A Briefe Discourse; Notes. Harmonicall Examples: Hunting; Hawking; Dauncing; Drinking; Enamoring. Notes; Bibliography; Index.
Notă biografică
Ross W. Duffin earned a doctorate in performance practice at Stanford. Since 1978, he has directed the historical performance program at Case Western Reserve University as Kulas Professor of Music. A two-time award winner from the American Musicological Society, his specialties are Flemish and English Renaissance music and historical tunings.
Descriere
Thomas Ravenscroft is best-known as a composer of rounds owing to his three published collections: Pammelia and Deuteromelia (both 1609), and Melismata (1611), in addition to his harmonizations of the Whole Booke of Psalmes (1621) and his original sacred works. A theorist, composer and editor, Ravenscroft wrote two treatises on music theory: A Briefe Discourse (1614), and 'A Treatise of Practicall Musicke' (c.1607), which remains in manuscript. This is the first book to bring together both theoretical works by this important Jacobean musician and to provide critical studies and transcriptions of these treatises.