The Musician as Entrepreneur, 1700–1914 – Managers, Charlatans, and Idealists
Autor William E. Weberen Limba Engleză Hardback – 8 noi 2004
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Specificații
ISBN-13: 9780253344564
ISBN-10: 0253344565
Pagini: 280
Ilustrații: 24 b&w illustrations
Dimensiuni: 162 x 240 x 23 mm
Greutate: 0.59 kg
Editura: Wiley
ISBN-10: 0253344565
Pagini: 280
Ilustrații: 24 b&w illustrations
Dimensiuni: 162 x 240 x 23 mm
Greutate: 0.59 kg
Editura: Wiley
Cuprins
I. Overview of the Subject1. William Weber, The Musician as Entrepreneur and Opportunist, 1700-1914 2. Richard Leppert, The Musician of the ImaginationII. Early Musical Entrepreneurs3. Tanya Kevorkian, Changing Times, Changing Music: 'New Church' Music and Musicians in Leipzig, 1700-1750 4. David Gramit, Selling the Serious: The Commodification of Music and Resistance to it in Germany, c. 1800III. Concert Management in the Nineteenth Century5. William Weber, From the Self-Managing Musician to the Independent Concert Agent 6. Laure Schnapper, Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849 7. Dana Gooley, Franz Liszt: The Virtuoso as Strategist 8. Simon McVeigh, 'An Audience for High-Class Music': The Musician as Entrepreneur in late Nineteenth-Century LondonIV. Women as Entrepreneurs9. Tia DeNora, Embodiment and Opportunity: Bodily Capital, Reputation and Social Difference in Beethoven's Vienna Partnership 10. Paula Gillett, Entrepreneurial Women Musicians in Britain: 1790s to the early 1900s 11. Jann Pasler, Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation
Recenzii
Weber and company set out to examine the movers and shakers, shapter, and adapters within various musical and geographical landscapes in court, city, and town.--Caryl Clark, University of Toronto
Notă biografică
Descriere
Leading international scholars consider the socio-economic history of Classical and Romantic musicians