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The Name of the Rose de Umberto Eco

The Name of the Rose: Vintage Classics

Autor Umberto Eco
en Limba Engleză Paperback – 30 ian 2004 – vârsta ani
Set in Italy in the Middle Ages, this work is not only a narrative of a murder investigation in a monastery in 1327, but also a chronicle of the 14th century religious wars, a history of monastic orders and a compendium of heretical movements.
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Specificații

ISBN-13: 9780099466031
ISBN-10: 0099466031
Pagini: 579
Dimensiuni: 128 x 198 x 40 mm
Greutate: 0.41 kg
Editura: Random House
Colecția Vintage Books
Seria Vintage Classics

Locul publicării:United Kingdom

Public țintă

Adult: General

Notă biografică

Umberto Eco (1932¿2016) wrote fiction, literary criticism and philosophy. His first novel, The Name of the Rose, was a major international bestseller. His other works include Foucault's Pendulum, The Island of the Day Before, Baudolino, The Mysterious Flame of Queen Loana, The Prague Cemetery and Numero Zero along with many brilliant collections of essays.

Recenzii

“Explodes with pyrotechnic inventions, literally as well as figuratively. Hold on till the end.” — New York Times
“Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers . . . Fascinating . . . ingenious . . . dazzling.” — Newsweek
“The Name of the Rose succeeds at being amusing and ambitious at the same time. It can be regarded as a philosophical novel masked as a detective story, or a detective story masked as a historical novel, or even better as a blend of all three. The venture sounds improbable, but Eco carries it out.” — New York Review of Books
“A brilliantly conceived adventure into another time, an intelligent and complex novel, a lively and well-plotted mystery.” — San Francisco Chronicle
“Whether you're into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, the Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you'll love it. Who can that miss out?” — Sunday Times (London)
“Unfolds in an atmosphere thick with hostility and intrigue . . . Although The Name of the Rose is not a story of semiotics, Eco the novelist shares with Eco the semiotician a feeling for the world as a place rich with possible meanings.” — Christian Science Monitor