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The Ocean at the End of the Lane de Neil Gaiman

The Ocean at the End of the Lane

Autor Neil Gaiman
en Paperback – 25 noi 2019

Sussex, Anglia. Un bărbat de vârstă mijlocie se întoarce în locul unde a copilărit pentru a participa la o înmormântare, dar și la o fermă de la marginea unui drum unde a întâlnit-o de mult pe Lettie Hempstock, o fată mai mult decât remarcabilă. 
Nu s-a mai gândit la ea de mult timp, dar trecutul începe să îl învăluie. Patruzeci de ani mai târziu, un bărbat se sinucide într-o mașină furată la ferma de la marginea drumului. 
Un foc se reaprinde, iar această moarte va influența în moduri dincolo de imaginație. Însă întunericul se dezlănțuie și ceva înfricoșător este gata să îl bântuie pe micul băiat devenit acum bărbat în toată firea.  
Dar Lettie promite să îl protejeze. Cu orice preț.

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Paperback (6) 4784 lei  3-5 săpt.
  HarperCollins Publishers – 25 noi 2019 4784 lei  3-5 săpt.
  Headline – 10 apr 2014 4803 lei  3-5 săpt. +2358 lei  7-13 zile
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Hardback (1) 14428 lei  3-5 săpt.
  HarperCollins Publishers – 17 iun 2013 14428 lei  3-5 săpt.

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Specificații

ISBN-13: 9780062459367
ISBN-10: 0062459368
Pagini: 256
Dimensiuni: 106 x 171 x 16 mm
Greutate: 0.14 kg
Editura: HarperCollins Publishers
Colecția William Morrow Paperbacks

Descriere scurtă

#1 New York Times Bestseller
UK National Book Awards Book of the Year
“Fantasy of the very best.”—Wall Street Journal
A groundbreaking work as delicate as a butterfly’s wing and as menacing as a knife in the dark, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out.
A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse where she once lived, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.
“[Gaiman’s] mind is a dark fathomless ocean, and every time I sink into it, this world fades, replaced by one far more terrible and beautiful in which I will happily drown.”
   —New York Times Book Review

Recenzii

“[W]orthy of a sleepless night . . . a fairy tale for adults that explores both innocence lost and the enthusiasm for seeing what’s past one’s proverbial fence . . . Gaiman is a master of creating worlds just a step to the left of our own.” — USA Today on The Ocean at the End of the Lane
“Remarkable . . . wrenchingly, gorgeously elegiac. . . . [I]n The Ocean at the End of the Lane, [Gaiman] summons up childhood magic and adventure while acknowledging their irrevocable loss, and he stitches the elegiac contradictions together so tightly that you won’t see the seams.” — Star Tribune (Minneapolis) on The Ocean at the End of the Lane
“Gaiman has crafted an achingly beautiful memoir of an imagination and a spellbinding story that sets three women at the center of everything. . . .[I]t’s a meditation on memory and mortality, a creative reflection on how the defining moments of childhood can inhabit the worlds we imagine.” — Journal Sentinel (Milwaukee, WI)
“His prose is simple but poetic, his world strange but utterly believable—if he was South American we would call this magic realism rather than fantasy.” — The Times (London) on THE OCEAN AT THE END OF THE LANE
“Poignant and heartbreaking, eloquent and frightening, impeccably rendered, it’s a fable that reminds us how our lives are shaped by childhood experiences, what we gain from them and the price we pay.” — Kirkus Reviews (starred review)
“[A] compelling tale for all ages . . . entirely absorbing and wholly moving.” — New York Daily News on The Ocean at the End of the Lane
“[A] story concerning the bewildering gulf between the innocent and the authoritative, the powerless and the powerful, the child and the adult. . . . Ocean is a novel to approach without caution; the author is clearly operating at the height of his career.” — The Atlantic Wire on The Ocean at the End of the Lane
“Ocean has that nearly invisible prose that keeps the focus firmly on the storytelling, and not on the writing. . . . This simple exterior hides something much more interesting; in the same way that what looks like a pond can really be an ocean.” — io9
“This slim novel, gorgeously written, keeps its talons in you long after you’ve finished.” — New York Post on The Ocean at the End of the Lane
“In Gaiman’s latest romp through otherworldly adventure, a young boy discovers a neighboring family’s supernatural secret. Soon his innocence is tested by ancient, magical forces, and he learns the power of true friendship. The result is a captivating read, equal parts sweet, sad, and spooky.” — Parade on The Ocean at the End of the Lane
“’The Ocean at the End of the Lane’ is fun to read, filled with his trademarked blend of sinister whimsy. Gaiman’s writing is like dangerous candy—you’re certain there’s ground glass somewhere, but it just tastes so good!” — Bookish (Houston Chronicle book blog)
“The impotence of childhood is often the first thing sentimental adults forget about it; Gaiman is able to resurrect, with brutal immediacy, the abject misery of being unable to control one’s own life.” — Laura Miller, Salon
“[W]ry and freaky and finally sad. . . . This is how Gaiman works his charms. . . . He crafts his stories with one eye on the old world, on Irish folktales and Robin Hood and Camelot, and the other on particle physics and dark matter.” — Chicago Tribune on The Ocean at the End of the Lane
“When I finally closed the last page of this slim volume it was with the realization that I’d just finished one of those uncommon perfect books that come along all too rarely in a reader’s life.” — Charles DeLint, The Magazine of Fantasy and Science Fiction on The Ocean at the End of the Lane

Notă biografică

Neil Gaiman is a #1 New York Times bestselling author of books for children and adults whose award-winning titles include Norse Mythology, American Gods, The Graveyard Book, Good Omens (with Terry Pratchett), Coraline, and The Sandman graphic novels. Neil Gaiman is a Goodwill Ambassador for UNHCR and Professor in the Arts at Bard College.

Descriere

Descriere de la o altă ediție sau format:

A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman’s first new novel for adults since his #1 New York Times bestseller Anansi Boys.
This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...

Textul de pe ultima copertă

A Globe & Mail 100 Selection
A major new work from "a writer to make readers rejoice" (Minneapolis Star Tribune)— a moving story of memory, magic, and survival
Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.
Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.
A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.