The Paradoxes of Art: A Phenomenological Investigation
Autor Alan Paskowen Limba Engleză Paperback – 6 iul 2008
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Specificații
ISBN-13: 9780521733182
ISBN-10: 0521733189
Pagini: 272
Ilustrații: 8 colour illus.
Dimensiuni: 151 x 218 x 19 mm
Greutate: 0.38 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
ISBN-10: 0521733189
Pagini: 272
Ilustrații: 8 colour illus.
Dimensiuni: 151 x 218 x 19 mm
Greutate: 0.38 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
Cuprins
Introduction; 1. The reality of fictional beings; 2. Things in our world; 3. Why and how others matter; 4. Why and how a painting matters; 5. For and against interpretation.
Recenzii
"By the unique application of the phenomenological notion of being-in-the-world, he is able to expand and clarify people's understanding of the situations in which transactions with art take place, thus shedding light on questions of interpretation, artistic ambiguity, aesthetic attitude, and the definition of artworks."
-R.M. Davis, Albion College, Choice
"Paskow's book is lucid and well written...the book remains an important contribution to the literature on our engagement with art."
Sarah Worth, Furman University, Notre Dame Philosophical Review
"...Paskow aims to establish the 'ontological status of fictional beings' and pursue the bold and ambitious claim that fictional beings are 'quasi-real.' Mindful of the fact that many readers will be skeptical of such a position, he carefully rehearses the relevant problems in analytic philosophy before unfolding the challenge his undertaking presents. He does this in an altogether engaging and lucid prose that not only makes the book accessible to readers unfamiliar with its debate but also provides scholars with a precision often lacking in such writing."
Michael Belshaw, Loughborough University, The Journal of Aesthetics and Art Criticism
"This, I believe, is a significant contribution, not just to the debate about why art matters to us but also to the wider question of how we consciously inhabit the world...[The Paradoxes of Art] is of particular relevance given that the discourses of art, philosophy, and consciousness are rapidly converging..."
Robert Pepperell, Leonardo On-line
-R.M. Davis, Albion College, Choice
"Paskow's book is lucid and well written...the book remains an important contribution to the literature on our engagement with art."
Sarah Worth, Furman University, Notre Dame Philosophical Review
"...Paskow aims to establish the 'ontological status of fictional beings' and pursue the bold and ambitious claim that fictional beings are 'quasi-real.' Mindful of the fact that many readers will be skeptical of such a position, he carefully rehearses the relevant problems in analytic philosophy before unfolding the challenge his undertaking presents. He does this in an altogether engaging and lucid prose that not only makes the book accessible to readers unfamiliar with its debate but also provides scholars with a precision often lacking in such writing."
Michael Belshaw, Loughborough University, The Journal of Aesthetics and Art Criticism
"This, I believe, is a significant contribution, not just to the debate about why art matters to us but also to the wider question of how we consciously inhabit the world...[The Paradoxes of Art] is of particular relevance given that the discourses of art, philosophy, and consciousness are rapidly converging..."
Robert Pepperell, Leonardo On-line
Notă biografică
Descriere
In this study, Alan Paskow situates the phenomenological approach to the experience of painting.