The Poetics of Conflict Experience: Materiality and Embodiment in Second World War Italy: Material Culture and Modern Conflict
Autor Sarah De Nardien Limba Engleză Paperback – 28 iun 2018
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 340.37 lei 3-5 săpt. | +18.31 lei 7-13 zile |
Taylor & Francis – 28 iun 2018 | 340.37 lei 3-5 săpt. | +18.31 lei 7-13 zile |
Hardback (1) | 846.01 lei 6-8 săpt. | |
Taylor & Francis – 29 noi 2016 | 846.01 lei 6-8 săpt. |
Preț: 340.37 lei
Nou
Puncte Express: 511
Preț estimativ în valută:
65.15€ • 68.31$ • 53.83£
65.15€ • 68.31$ • 53.83£
Carte disponibilă
Livrare economică 08-22 ianuarie 25
Livrare express 25-31 decembrie pentru 28.30 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781138330139
ISBN-10: 1138330132
Pagini: 266
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.34 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Material Culture and Modern Conflict
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138330132
Pagini: 266
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.34 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Material Culture and Modern Conflict
Locul publicării:Oxford, United Kingdom
Public țintă
PostgraduateCuprins
Introduction: a poetics of civil war and resistance
Baldini dies in the end: journey through a world at war
Armchair strategists vs. affective archives
The materialities of absence
The interview process
1 8 September 1943, ‘end of days’: Italy’s capitulation and its dystopian aftermath
1.1 My family history as a story of the resistance
1.2 The genesis of civil war and German occupation
1.3 Materiality and memory
1.4 The poetics of storytelling: interviewing, imagining, mapping
2 Unsettling identities
1944
2.1 Identities and the uneasy materiality of conflict
2.2 Materialities and the uncanny
2.3 The partisan experience
2.4 Understanding the Fascists
2.5 Who were the Germans, and what did they want?
Germans . . . or Austrians?
German self-reflections
2.6 Why weren’t the Allies more helpful?
2.7 Spies: the ultimate uncanny element
3 The lost bodies of the Italian resistance and civil war
3.1 Bodies in the snow
3.2 The body of the fighter
Sex
Bodily hygiene
3.3 The female body
3.4 The Jewish body in the resistance
3.5 Other bodies
3.6 Saved or dead: the body’s tale
3.7 Reconnaissance in no man’s memory: the grim legend of Buss de la Lum
4 The haunting materiality of storytelling
4.1 Storying affects: wartime rumour as inter-corporeal practise
4.2 The ontogenetic nature of storytelling: the snowball effect
4.3 Action! The historical workings of affect
4.4 Story one: constructing an American OSS agent as the Other
4.5 Story two: the Golden Column of Menarè
4.6 Story three: expected and unexpected emotions
4.7 Conclusion
5 Competing materialities: presence and absence in the material world of the war
5.1 The material turn in the social sciences: things ‘matter’
5.2 The materiality of the interview
5.3 Wartime tangibilities: on emotional absence-presence
5.4 Frontline materialities: evocative objects and booby traps
The eagle and the death cult: Fascists and their materiality
Frontline objects
5.5 Absence as an affect: the shadow-play of memory
5.5.1 A paper cenotaph: Bruno’s memento
5.5.2 The night is a thing: the poetics of sleep and sleep deprivation
5.5.3 ‘I shouldn’t have asked them for it’. Wilma’s guilty prize
5.6 Reflections
6 Landscapes of fighting, feeling and hoping: place as material culture
6.1 Hostile landscapes and the vernacular of terror
6.2 The making of places: opportunity and consolation
6.3 The unmaking of places
Home, falling apart
The unlikely comfort of the uplands
6.4 Searching for invisibility: stealth and secrecy in everyday materialities
6.5 The marginality of bodies, the liminality of the river
6.6 Going back
7 The conclusion of a journey through regions of silence
By way of foreword
7.1 Compassionate scholarship: using affect and postmemory towards a recognition of the uncanniness of civil war
An intermission: Levi, the partisan
7.2 Making place for a future
7.3 Engaging with the poetics of conflict experience
7.3.1 The poetics of violence
7.3.2 The poetics of exclusion
7.4 A past we can know
7.5 Engaging humanely with the materialities of others
Appendix
Bibliography
Index
Baldini dies in the end: journey through a world at war
Armchair strategists vs. affective archives
The materialities of absence
The interview process
1 8 September 1943, ‘end of days’: Italy’s capitulation and its dystopian aftermath
1.1 My family history as a story of the resistance
1.2 The genesis of civil war and German occupation
1.3 Materiality and memory
1.4 The poetics of storytelling: interviewing, imagining, mapping
2 Unsettling identities
1944
2.1 Identities and the uneasy materiality of conflict
2.2 Materialities and the uncanny
2.3 The partisan experience
2.4 Understanding the Fascists
2.5 Who were the Germans, and what did they want?
Germans . . . or Austrians?
German self-reflections
2.6 Why weren’t the Allies more helpful?
2.7 Spies: the ultimate uncanny element
3 The lost bodies of the Italian resistance and civil war
3.1 Bodies in the snow
3.2 The body of the fighter
Sex
Bodily hygiene
3.3 The female body
3.4 The Jewish body in the resistance
3.5 Other bodies
3.6 Saved or dead: the body’s tale
3.7 Reconnaissance in no man’s memory: the grim legend of Buss de la Lum
4 The haunting materiality of storytelling
4.1 Storying affects: wartime rumour as inter-corporeal practise
4.2 The ontogenetic nature of storytelling: the snowball effect
4.3 Action! The historical workings of affect
4.4 Story one: constructing an American OSS agent as the Other
4.5 Story two: the Golden Column of Menarè
4.6 Story three: expected and unexpected emotions
4.7 Conclusion
5 Competing materialities: presence and absence in the material world of the war
5.1 The material turn in the social sciences: things ‘matter’
5.2 The materiality of the interview
5.3 Wartime tangibilities: on emotional absence-presence
5.4 Frontline materialities: evocative objects and booby traps
The eagle and the death cult: Fascists and their materiality
Frontline objects
5.5 Absence as an affect: the shadow-play of memory
5.5.1 A paper cenotaph: Bruno’s memento
5.5.2 The night is a thing: the poetics of sleep and sleep deprivation
5.5.3 ‘I shouldn’t have asked them for it’. Wilma’s guilty prize
5.6 Reflections
6 Landscapes of fighting, feeling and hoping: place as material culture
6.1 Hostile landscapes and the vernacular of terror
6.2 The making of places: opportunity and consolation
6.3 The unmaking of places
Home, falling apart
The unlikely comfort of the uplands
6.4 Searching for invisibility: stealth and secrecy in everyday materialities
6.5 The marginality of bodies, the liminality of the river
6.6 Going back
7 The conclusion of a journey through regions of silence
By way of foreword
7.1 Compassionate scholarship: using affect and postmemory towards a recognition of the uncanniness of civil war
An intermission: Levi, the partisan
7.2 Making place for a future
7.3 Engaging with the poetics of conflict experience
7.3.1 The poetics of violence
7.3.2 The poetics of exclusion
7.4 A past we can know
7.5 Engaging humanely with the materialities of others
Appendix
Bibliography
Index
Notă biografică
Sarah De Nardi is a Research Associate in Cultural Geography at the University of Durham. Her focus on embodiment and identity frames war and conflict as lived experience in the everyday. She has published in cultural geography, anthropology, history and archaeology journals and volumes, and is Assistant Editor of the Journal of Community Archaeology and Heritage. Recently she co-edited Memory, Place and Identity: Commemoration and Remembrance of War and Conflict (Routledge, 2016). This book grows out of seven years of research in Italy, the UK and Germany, and is informed by a close personal connection to the topic of resistance due to the fact that her grandfather was a Partisan. Her subjectivity as an Italian, European citizen and scholar is a recurrent theme in the book, lending a nuanced and engaging perspective to the overarching theme and the arguments put forth.
Descriere
Seventy years after the end of the Second World War we still do not fully appreciate the full spectrum of the lived experience of individuals and communities subjected to German occupation and involved or touched by resistance movements. This book reasserts the sensory and the emotional in Italian war narratives.