The Politics of American Actor Training: Routledge Advances in Theatre & Performance Studies
Editat de Ellen Margolis, Lissa Tyler Renauden Limba Engleză Paperback – 6 iun 2011
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Specificații
ISBN-13: 9780415896535
ISBN-10: 0415896533
Pagini: 228
Dimensiuni: 152 x 229 x 12 mm
Greutate: 0.33 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415896533
Pagini: 228
Dimensiuni: 152 x 229 x 12 mm
Greutate: 0.33 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Theatre & Performance Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Acknowledgments Introduction, Ellen Margolis and Lissa Tyler Renaud, Part I 1: Stanislavsky and Politics: Active Analysis and the American Legacy of Soviet Oppression, Sharon Marie Carnicke 2: Actor Training Meets Historical Thinking, Jonathan Chambers 3: The Politics of Western Pedagogy in the Theatre of India, Chandradasan 4: Degrees of Choice, Leigh Woods 5: Training Artists or Consumers? Commentary on American Actor Training, Lissa Tyler Renaud 6: Changing Demographics: Where is Diversity in Theatre Programs in Higher Education and National Associations?, Donna B. Aronson 7: The Wild, Wild East: Report on the Politics of American Actor Training Overseas, Lissa Tyler Renaud Part II 8: Beyond Race and Gender: Reframing Diversity in Actor Training Programs, David Eulus Wiles 9: "Typed" for What?, Mary Cutler 10: "They accused me of bein’ a homosexual": Playing Kerry Cook in The Exonerated, Derek S. Mud 11: Identity Politics and the Training of Latino Actors, Micha Espinosa and Antonio Ocampo-Guzman 12: Keeping It Real Without Selling Out: Toward Confronting and Triumphing Over Racially Specific Barriers in American Acting Training, Venus Opal Reese 13: Disability and Access: A Manifesto for Actor Training, Victoria Ann Lewis 14: Arrested or Paralyzed? Reflections on the Erotic Life of an Acting Teacher, Ellen Margolis Notes on Contributors Index
Recenzii
"With The Politics of American Actor Training, coeditors Ellen Margolis and Lissa Tyler Renaud make an important contribution to the fields of theatre history and acting pedagogy. Along with twelve contributors, they have created an excellent publication that moves seamlessly among history, pedagogy, theory, and practice. As such, The Politics of American Actor Training serves several needs and deserves consideration from scholars, teachers, and professional theatre artists alike." --Theatre Topics
"With The Politics of American Actor Training, coeditors Ellen Margolis and Lissa Tyler Renaud make an important contribution to the fields of theatre history and acting pedagogy. Along with twelve contributors, they have created an excellent publication that moves seamlessly among history, pedagogy, theory, and practice. As such, The Politics of American Actor Training serves several needs and deserves consideration from scholars, teachers, and professional theatre artists alike."
—Steven Harrick, Theatre Topics (USA)
“[A]n exemplary book on education policy in United States acting…”
—Rodolfo Obregón, La Isla de Próspero (Mexico)
“What is delightful—and, to me, unexpected—about both parts of the anthology is that the editors have taken seriously the politics of American actor training programs not only in the US proper, but also as they are transmitted to other countries and cultures outside US national borders. … This multicultural perspective broadens the usefulness of the anthology as a whole, and offers an important check on discussions of actor training politics. The authors remind us that the question cannot only be “what do we owe our students and our country in the way of actor training” but also “how do we want to represent our national identity in the broader context of global theatre training practices?”
—Elise Robinson, Voice and Speech Review (International)
"With The Politics of American Actor Training, coeditors Ellen Margolis and Lissa Tyler Renaud make an important contribution to the fields of theatre history and acting pedagogy. Along with twelve contributors, they have created an excellent publication that moves seamlessly among history, pedagogy, theory, and practice. As such, The Politics of American Actor Training serves several needs and deserves consideration from scholars, teachers, and professional theatre artists alike."
—Steven Harrick, Theatre Topics (USA)
“[A]n exemplary book on education policy in United States acting…”
—Rodolfo Obregón, La Isla de Próspero (Mexico)
“What is delightful—and, to me, unexpected—about both parts of the anthology is that the editors have taken seriously the politics of American actor training programs not only in the US proper, but also as they are transmitted to other countries and cultures outside US national borders. … This multicultural perspective broadens the usefulness of the anthology as a whole, and offers an important check on discussions of actor training politics. The authors remind us that the question cannot only be “what do we owe our students and our country in the way of actor training” but also “how do we want to represent our national identity in the broader context of global theatre training practices?”
—Elise Robinson, Voice and Speech Review (International)
Descriere
This book strives to give a fair hearing to persistent, questioning voices about our nation’s acting training as it stands, thereby contributing to the national dialogue the diverse perspectives and proposals needed to keep American actor training dynamic and germane, both within the U.S. and abroad.