The Politics of Literature in Nazi Germany: Books in the Media Dictatorship
Autor Professor Jan-Pieter Barbian Traducere de Dr. Kate Sturgeen Limba Engleză Paperback – 23 oct 2013
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Specificații
ISBN-13: 9781441107343
ISBN-10: 1441107347
Pagini: 472
Dimensiuni: 138 x 216 x 30 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1441107347
Pagini: 472
Dimensiuni: 138 x 216 x 30 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most prestigious publishing houses to the smallest municipal and school libraries
Notă biografică
Professor Jan-Pieter Barbian is a historian and Director of Duisburg Municipal Library, Germany. He is a leading expert on Nazi literary politics and cultural policy. He is the author of Literaturpolitik im Dritten Reich (1993) and Die vollendete Ohnmacht (2008) and is a member of Historische Kommission des Börsenvereins für den deutschen Buchhandel. Kate Sturge holds a Chartered Institute of Linguists' Diploma in Translation (German-English) and a PhD in Comparative Literature. She is co-editor of the Routledge journal Translation Studies. Her translations include Friedrich Nietzsche: Writings from the Late Notebooks (ed. Rüdiger Bittner, Cambridge University Press, 2002).
Cuprins
AbbreviationsGlossaryIntroductionChapter 1: The change of people and media: from the Weimar Republic to the Third Reich Chapter 2: The media dictatorship and its power over the book Chapter 3: The book in a media dictatorship - the rulers' perspective Chapter 4: The book in a media dictatorship - the subjects' perspective Conclusion: A failed experiment? On the meaning of the book for the Nazi media dictatorship SourcesIndex
Recenzii
Barbian provides fascinating new insights into the motives behind the media dictatorship and the motivations for participation in it. The book thus makes a significant contribution to research into the politics of literature under National Socialism