The Politics of Realism
Autor Prof. Thomas Dochertyen Limba Engleză Paperback – 17 mai 2023
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Specificații
ISBN-13: 9781350228573
ISBN-10: 1350228575
Pagini: 288
Ilustrații: 5 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350228575
Pagini: 288
Ilustrații: 5 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Broad range of authors examined, from France, England, Italy and Russia between the 19th Century to today
Notă biografică
Thomas Docherty is Professor of English at Warwick University, UK. He has published on most areas of English and comparative literature from the Renaissance to the present day. He specializes in the philosophy of literary criticism, in critical theory, and in cultural history in relation primarily to European philosophy and literatures. Some of his previous publications include John Donne Undone (Methuen, Routledge, 1986) Postmodernism (Harvester/Columbia UP, 1993), Aesthetic Democracy (Stanford UP, 2006) and The English Question (Sussex Academic, 2008).
Cuprins
Introduction1 Assembly: Following the Money2 A Private View3 Grotesque Realism: Impropriety and Decorum4 Legislating Reality5 Science: The Force of Vision and the Vision of Force6 Realism Changes Reality7 Naked Propaganda: The Intimate Things of Common Life8 Neorealism: The Real as Resistance9 Politics of Fact
Recenzii
Thomas Docherty's wide-ranging, spirited account of the role played by a contested aesthetic weaves examples from literature, visual arts, and film ... in admirably clear, accessible language that avoids jargon.
This well-written, well-thought-out book applies many Continental philosophical notions to the almost endless antagonisms between artists attempting to depict the world as they see it, and the political power of those who would deny the very need for change.
This well-written, well-thought-out book applies many Continental philosophical notions to the almost endless antagonisms between artists attempting to depict the world as they see it, and the political power of those who would deny the very need for change.