Cantitate/Preț
Produs
Total produse
Vezi coșul
The Principles and Practice of Tonal Counterpoint de Evan Jones

The Principles and Practice of Tonal Counterpoint

Autor Evan Jones
en Limba Engleză Paperback – 8 sep 2015
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 45803 lei  6-8 săpt.
  Taylor & Francis – 8 sep 2015 45803 lei  6-8 săpt.
Hardback (1) 81949 lei  6-8 săpt.
  Taylor & Francis – 16 sep 2015 81949 lei  6-8 săpt.

Preț: 45803 lei

Preț vechi: 59349 lei
-23% Nou

Puncte Express: 687
Preț estimativ în valută:
8769€ • 9558$ • 7373£

Carte tipărită la comandă

Livrare economică 18 decembrie 24 - 01 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780415988667
ISBN-10: 0415988667
Pagini: 282
Ilustrații: 271 black & white line drawings
Dimensiuni: 210 x 280 x 15 mm
Greutate: 0.76 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Cuprins

1. Species Counterpoint in Major and Minor Modes  2. Eighteenth-Century Thoroughbass and Chorale Harmonization  3. The Chorale Prelude  4. Continuo-Homophony in Baroque Music  5. Sequences and Invertible Counterpoint  6. The Two-Part Inventions of J.S. Bach  7. Three-Voice Counterpoint  8. Rounds and Canons  9. Fugue  10. Counterpoint in Nineteenth-Century Music  11. Counterpoint in Twentieth Century Music

Notă biografică

Douglass M. Green (1926–1999) was a founding member of the Society for Music Theory. He last taught at the University of Texas at Austin, where he was Professor of Music Theory until his death. Widely known as an expert in the music of Debussy and Berg, Green was the author of many articles and books on musical form and harmony, including the seminal analysis text Form in Tonal Music. He won several honors throughout his lifetime, including appointment as a Fulbright Scholar to Italy, the ASCAP-Deems Taylor Award, and the E. W. Doty Professorship of Fine Arts at UT-Austin. Green’s counterpoint classes remain legendary among his students.
Evan Jones is Associate Professor and Coordinator of Music Theory and Composition at the Florida State University College of Music. He has received a Sproull Fellowship from the University of Rochester, a Doctoral Fellowship from the Social Sciences and Humanities Research Council of Canada, and the Alfred Mann Dissertation Prize from the Eastman School. He has published research on music by Lassus, Quantz, Schubert and Xenakis in peer-reviewed journals and essay collections, and edited a two-volume collection of essays on twentieth-century string quartets that received the Society for Music Theory’s Citation of Special Merit.

Descriere

The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.