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The Principles of Art

Autor R. G. Collingwood
en Limba Engleză Paperback – 20 iun 2018
"The Principles of Art" is a 1937 treatise by R. G. Collingwood that explores the nature of art and its relationship with history and philosophy in particular. Robin George Collingwood, FBA (1889 - 1943) was an English historian, philosopher, and archaeologist most famous for his philosophical works including "Outlines of a Philosophy of Art " (1925) and the posthumously-published "The Idea of History" (1946). One of his more well-known works, "The Principles of Art" constitutes an interesting and detailed examination of the very idea of art-what it is, what it does, and what it means. Not to be missed by lovers of art and philosophy. Contents include: "Art and Craft", "Art and Representation", "Art as Magic", "Art as Amusement", "Art Proper", "Thinking and Feeling", "Sensation and Imagination", etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume today in an affordable, modern edition complete with a specially-commissioned new biography of the author.
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Specificații

ISBN-13: 9781528704830
ISBN-10: 1528704835
Pagini: 360
Dimensiuni: 140 x 216 x 22 mm
Greutate: 0.46 kg
Editura: White Press

Notă biografică


R. G. Collingwood (1889-1943), philosopher and historian, was Waynflete Professor of Metaphysical Philosophy, Oxford University. One of the most learned men of his generation, he had a remarkable breadth of interest and knowledge and originiality of mind. He is the author of many notable books, including The Idea of History, An Autobiography, Essay on Metaphysics, Essay on Philosophical Method, The Idea of Nature, The New Leviathan, Speculum Mentis: or The Map of KNowledge, and with J. N. L. Myres, Roman Britain and the English Settlements in the Oxford Hitsory of England series.

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This treatise on aesthetics criticizes various psychological theories of art, offers new theories and interpretations, and draws important inferences concerning the position of art in human society.