The Prisoner of Zenda: Primary Sources, Historical Collections
Autor Anthony Hope T. S. Wentworthen Limba Engleză Paperback – 31 ian 2011 – vârsta de la 12 până la 15 ani
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Specificații
ISBN-13: 9781241053628
ISBN-10: 1241053626
Pagini: 200
Dimensiuni: 189 x 246 x 11 mm
Greutate: 0.37 kg
Editura: Primary Sources, Historical Collections
Seria Primary Sources, Historical Collections
ISBN-10: 1241053626
Pagini: 200
Dimensiuni: 189 x 246 x 11 mm
Greutate: 0.37 kg
Editura: Primary Sources, Historical Collections
Seria Primary Sources, Historical Collections
Descriere
Descriere de la o altă ediție sau format:
'If love were the only thing, I would follow you-in rags if need be ... But is love the only thing?'Anthony Hope's The Prisoner of Zenda is a swashbuckling adventure set in Ruritania, a mythical pocket kingdom. Englishman Rudolf Rassendyll closely resembles the King of Ruritania, and to foil a coup by his rival to the throne, he is persuaded to impersonate him for a day. However, Rassendyll's role becomes more complicated when the real king is kidnapped, and he falls for the lovely Princess Flavia. Although the story is set in the near past, Ruritania is a semi-feudal land in which a strong sword arm can carry the day, and Rassendyll and his allies fight to rescue the king. But if he succeeds, our hero and Flavia will have to choose between love and honour. As Nicholas Daly's introduction outlines, this thrilling tale inspired not only stage and screen adaptations, but also place names, and even a popular board game. A whole new subgenre of 'Ruritanian romances' followed, though no imitation managed to capture the charm, exuberance, and sheer storytelling power of Hope's classic tale.
'If love were the only thing, I would follow you-in rags if need be ... But is love the only thing?'Anthony Hope's The Prisoner of Zenda is a swashbuckling adventure set in Ruritania, a mythical pocket kingdom. Englishman Rudolf Rassendyll closely resembles the King of Ruritania, and to foil a coup by his rival to the throne, he is persuaded to impersonate him for a day. However, Rassendyll's role becomes more complicated when the real king is kidnapped, and he falls for the lovely Princess Flavia. Although the story is set in the near past, Ruritania is a semi-feudal land in which a strong sword arm can carry the day, and Rassendyll and his allies fight to rescue the king. But if he succeeds, our hero and Flavia will have to choose between love and honour. As Nicholas Daly's introduction outlines, this thrilling tale inspired not only stage and screen adaptations, but also place names, and even a popular board game. A whole new subgenre of 'Ruritanian romances' followed, though no imitation managed to capture the charm, exuberance, and sheer storytelling power of Hope's classic tale.
Recenzii
A hugely enjoyable rip-roaring adventure of chivalry and romance.
Notă biografică
Nicholas Daly is Professor of Modern English and American Literature at University College Dublin. He has also taught at Trinity College Dublin, Wesleyan University, and Dartmouth College. A member of the Royal Irish Academy, he serves on the advisory boards of the Journal of Victorian Culture, Novel, and the Irish University Review. His academic publications include the monographs Modernism, Romance, and the Fin de Siècle (CUP, 1999), Literature, Technology and Modernity (CUP, 2004), Sensation and Modernity in the 1860s (CUP, 2009), and The Demographic Imagination (CUP, 2015), and many articles on nineteenth and twentieth-century literature and culture. He has also recently edited Emma Orczy's The Scarlet Pimpernel for the Oxford World's Classics.
Textul de pe ultima copertă
Anthony Hope's swashbuckling romance transports his English gentleman hero, Rudolf Rassendyll, from a comfortable life in London to fast-moving adventures in Ruritania, a mythical land steeped in political intrigue. Rassendyll bears a striking resemblance to Rudolf Elphberg who is about to be crowned King of Ruritania. When the rival to the throne, Black Michael of Strelsau, attempts to seize power by imprisoning Elphberg in the Castle of Zenda, Rassendyll is obliged to impersonate the King to uphold the rightful sovereignty and ensure political stability. Rassendyll endures a trial of strength in his encounters with the notorious Rupert of Hentzau, and a test of a different sort as he grows to love the Princess Flavia. Five times filmed, The Prisoner of Zenda has been deservedly popular as a classic of romance and adventure since its publication in 1894.