The Private Memoirs and Confessions of a Justified Sinner

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'We have heard much of the rage of fanaticism in former days, but nothing to this'A wretched young man, 'an outcast in the world', tells the story of his upbringing by a heretical Calvinist minister who leads him to believe that he is one of the elect, predestined for salvation and thus above the moral law. Falling under the spell of a mysterious stranger who bears an uncanny likeness to himself, he embarks on a career as a serial murderer. Robert Wringhim's Memoirs are presented by an editor whose attempts to explain the story only succeed in intensifying its more baffling and bizarre aspects. Is Wringhim the victim of a psychotic delusion, or has he been tempted by the devil to wage war against God's enemies? Hogg's sardonic and terrifying novel, too perverse for nineteenth-century taste, is now recognized as one of the masterpieces of Romantic fiction.The first edition text of 1824 has been freshly considered for this new edition. A critical introduction explores the remarkable career of the novel's author and its historical, theological, and cultural contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

James Hogg’s great novel is set in eighteenth-century Edinburgh, a city of night and shadow, of lurking eavesdroppers and invisible pursuers, of gloomy wynds and crepuscular crannies. The novel splits and doubles itself, its themes, and its characters: two texts, one following the other, are written from two different points of view; narrating the same terrible story, they contradict each other here and there, forming an asymmetrical diptych, all the more compelling for its discordancy and conflicts.
— Marina Warner

A work so moving, so funny, so impassioned, so exact and so mysterious, that its emergence from a long history of neglect came as a surprise which has yet to lose its resonance.
— Karl Miller, The Times Literary Supplement

Neglected at first, this brilliant short novel has climbed in the esteem of readers until it is now regarded as one of the glories of English literature—or, for those who like to subdivide these matters, of Scottish literature.
— John Wain

James Hogg (1770-1835) was born in the Ettrick Valley in the Scottish Borders. When he was seven, his father, a sheep farmer, went bankrupt and Hogg left school hardly able to read; he could only shape letters “nearly an inch in length,” he wrote later in his autobiography. For many years, he worked as a cowherd and later as a shepherd. His mother, however, steeped him in ballads and folklore, and his grandfather was apparently the last man to talk with the fairies. Only in his twenties, when Hogg was exposed to books once more, did he begin to write, his first creations being “songs and ballads made up for the lassies to sing in chorus.” At forty, he set out for Edinburgh and, after starting the short-lived satirical magazine The Spy, he wrote poems and stories for Blackwood’s Edinburgh Magazine. The Private Memoirs and Confessions of a Justified Sinner, first published in 1824, has long been considered his masterpiece.

Margot Livesey was born and grew up on the edge of the Scottish Highlands and now lives in the US. She is the author of a collection of stories and four novels: Homework, Criminals, The Missing World, and Eva Moves the Furniture. 

Set in early eighteenth-century Scotland, James Hogg's masterpiece is a brilliant psychological study of religious fanaticism and the power of evil. Led on by his sinister companion, Gil-Martin, Robert Wringhim commits a series of atrocious crimes. As the novel progresses, however, and the complexity of Wringhim's mind is revealed, the reader begins to doubt whether Gil-Martin even exists.

This edition of The Private Memoirs and Confessions of a Justified Sinner places the work within the context of Calvinism, Scottish political and constitutional history, and early psychological theories of "double consciousness." A wide-ranging introduction discusses the novel in relation to its setting as well as to the period in which it was composed.