The Public Life of Privacy in Nineteenth–Century American Literature: New Americanists
Autor Stacey Margolisen Limba Engleză Paperback – 12 mai 2005
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Specificații
ISBN-13: 9780822335498
ISBN-10: 0822335492
Pagini: 248
Dimensiuni: 155 x 233 x 22 mm
Greutate: 0.43 kg
Ediția:New.
Editura: MD – Duke University Press
Seria New Americanists
ISBN-10: 0822335492
Pagini: 248
Dimensiuni: 155 x 233 x 22 mm
Greutate: 0.43 kg
Ediția:New.
Editura: MD – Duke University Press
Seria New Americanists
Recenzii
This book places Stacey Margolis at the forefront of a generation of scholars intent on challenging the old divisions that continue to shape the study of American literature. Her unique contribution is to problematize a number of these divisions by showing how consistently postCivil War fiction crossed the line distinguishing private interiority from social life and reversed the causal relationship between private intentions and public effects. Rather than rush to the Foucauldian conclusion that surveillance can only mean social regulation of personal desire, Margolis pieces together from American writing a model of self-regulation that insists how we appear in the eyes of our social cohort can and should shape how we feel and act. Formulating a liberal subject whose innermost thoughts thus come from outside itself, she not only works across historical and discursive boundaries that would stall most readers but with remarkable precision she also accounts for the formal differences among genres and authors. I believe Margoliss book will change the way we read nineteenth-century American literature.--Nancy Armstrong, Brown University"With this book Margolis establishes a paradigm for a much wider study of US literature and its culture. Essential."--T. Bonner Jr., Choice
Notă biografică
Stacey Margolis is Assistant Professor of English at the University of Utah.
Textul de pe ultima copertă
"This book places Stacey Margolis at the forefront of a generation of scholars intent on challenging the old divisions that continue to shape the study of American literature. Her unique contribution is to problematize a number of these divisions by showing how consistently post-Civil War fiction crossed the line distinguishing private interiority from social life and reversed the causal relationship between private intentions and public effects. Rather than rush to the Foucauldian conclusion that surveillance can only mean social regulation of personal desire, Margolis pieces together from American writing a model of self-regulation that insists how we appear in the eyes of our social cohort can and should shape how we feel and act. Formulating a liberal subject whose innermost thoughts thus come from outside itself, she not only works across historical and discursive boundaries that would stall most readers but with remarkable precision she also accounts for the formal differences among genres and authors. I believe Margolis's book will change the way we read nineteenth-century American literature."--Nancy Armstrong, Brown University
Cuprins
Acknowledgments ix
Introduction: The Limits of Privacy 1
Part 1: Discipline and Punish
1. The Blithedale Romance and Other Tales of Association 17
2. The Rules of the Game: Punishment in The Wide Wide World 51
Part 2: Race and the Law
3. Huckleberry Finn; or, Consequences 81
4. The Veil of Cedars: Charles Chesnutt and Conversion 107
Part 3: The Public Life
5. Addiction and the Ends of Desire 141
6. Homo-Formalism: Analogy in The Sacred Fount 169
Notes 197
Index 231
Introduction: The Limits of Privacy 1
Part 1: Discipline and Punish
1. The Blithedale Romance and Other Tales of Association 17
2. The Rules of the Game: Punishment in The Wide Wide World 51
Part 2: Race and the Law
3. Huckleberry Finn; or, Consequences 81
4. The Veil of Cedars: Charles Chesnutt and Conversion 107
Part 3: The Public Life
5. Addiction and the Ends of Desire 141
6. Homo-Formalism: Analogy in The Sacred Fount 169
Notes 197
Index 231
Descriere
Challenges the familiar way of reading a major strain of 19th century American literature. Rather than seeing this strain as preoccupied with a subject's inner mental life, it shows that subjects can only be understood, and understand themselves, through the production of public effects.