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The Queen's Gambit de Walter Tevis

The Queen's Gambit: Books to TV Adaptations

Autor Walter Tevis
en Limba Engleză Paperback – 28 oct 2020
NOW A MAJOR GOLDEN GLOBE-WINNING NETFLIX SERIES

'Superb' Time Out
'Mesmerizing' Newsweek
'Gripping' Financial Times
'Sheer entertainment. It is a book I reread every few years - for the pure pleasure and skill of it' Michael Ondaatje
'Don't pick this up if you want a night's sleep' Scotsman

When she is sent to an orphanage at the age of eight, Beth Harmon soon discovers two ways to escape her surroundings, albeit fleetingly: playing chess and taking the little green pills given to her and the other children to keep them subdued. Before long, it becomes apparent that hers is a prodigious talent, and as she progresses to the top of the US chess rankings she is able to forge a new life for herself. But she can never quite overcome her urge to self-destruct. For Beth, there's more at stake than merely winning and losing.

'I loved it. I just loved it, it really drew me in and I know nothing about chess... The writing about addiction is just fantastic. I underlined so many bits of it... I didn't want it to end' Bryony Gordon on BBC Radio 4

'Few novelists have written about genius - and addiction - as acutely as Walter Tevis' Telegraph
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Specificații

ISBN-13: 9781474622578
ISBN-10: 1474622577
Pagini: 243
Dimensiuni: 128 x 196 x 26 mm
Greutate: 0.23 kg
Editura: Orion Publishing Group
Colecția Weidenfeld and Nicholson
Seria Books to TV Adaptations

Descriere

NOW A MAJOR GOLDEN GLOBE-WINNING NETFLIX SERIES

'Superb' Time Out
'Mesmerizing' Newsweek
'Gripping' Financial Times
'Sheer entertainment. It is a book I reread every few years - for the pure pleasure and skill of it' Michael Ondaatje
'Don't pick this up if you want a night's sleep' Scotsman

When she is sent to an orphanage at the age of eight, Beth Harmon soon discovers two ways to escape her surroundings, albeit fleetingly: playing chess and taking the little green pills given to her and the other children to keep them subdued. Before long, it becomes apparent that hers is a prodigious talent, and as she progresses to the top of the US chess rankings she is able to forge a new life for herself. But she can never quite overcome her urge to self-destruct. For Beth, there's more at stake than merely winning and losing.

'I loved it. I just loved it, it really drew me in and I know nothing about chess... The writing about addiction is just fantastic. I underlined so many bits of it... I didn't want it to end' Bryony Gordon on BBC Radio 4

'Few novelists have written about genius - and addiction - as acutely as Walter Tevis' Telegraph

Notă biografică

Walter Tevis was an American novelist and short story writer. Whilst a student at the University of Kentucky, Tevis worked in a pool hall and published a story about the game for an English class. He would later revisit his love for pool in the novels THE HUSTLER (1959) and THE COLOR OF MONEY (1984), both of which would be adapted into multiple award-winning films starring Paul Newman. Among his other works, THE MAN WHO FELL TO EARTH (1963) and MOCKINGBIRD (1980) are considered masterpieces of science fiction. Tevis died in 1984.

Extras

ONE

BETH LEARNED OF HER MOTHER'S DEATH FROM A WOMAN WITH A clipboard. The next day her picture appeared in the Herald-Leader. The photograph, taken on the porch of the gray house on Maplewood Drive, showed Beth in a simple cotton frock. Even then, she was clearly plain. A legend under the picture read: "Orphaned by yesterday's pile-up on New Circle Road, Elizabeth Harmon surveys a troubled future. Elizabeth, eight, was left without family by the crash, which killed two and injured others. At home alone at the time, Elizabeth learned of the accident shortly before the photo was taken. She will be well looked after, authorities say."

In the Methuen Home in Mount Sterling, Kentucky, Beth was given a tranquilizer twice a day. So were all the other children, to "even their dispositions." Beth's disposition was all right, as far as anyone could see, but she was glad to get the little pill. It loosened something deep in her stomach and helped her doze away the tense hours in the orphanage.

Mr. Fergussen gave them the pills in a little paper cup. Along with the green one that evened the disposition, there were orange and brown ones for building a strong body. The children had to line up to get them.

The tallest girl was the black one, Jolene. She was twelve. On her second day Beth stood behind her in Vitamin Line, and Jolene turned to look down at her, scowling. "You a real orphan or a bastard?"

Beth did not know what to say. She was frightened. They were at the back of the line, and she was supposed to stand there until they got up to the window where Mr. Fergussen stood. Beth had heard her mother call her father a bastard, but she didn't know what it meant.

"What's your name, girl?" Jolene asked.

"Beth."

"Your mother dead? What about your daddy?"

Beth stared at her. The words "mother" and "dead" were unbearable. She wanted to run, but there was no place to run to.

"Your folks," Jolene said in a voice that was not unsympathetic, "they dead?"

Beth could find nothing to say or do. She stood in line terrified, waiting for the pills.

"You're all greedy cocksuckers!" It was Ralph in the Boys' Ward who shouted that. She heard it because she was in the library and it had a window facing Boys'. She had no mental image for "cocksucker," and the word was strange. But she knew from the sound of it they would wash his mouth out with soap. They'd done it to her for "damn"--and Mother had said "Damn" all the time.

The barber made her sit absolutely still in the chair. "If you move, you might just lose an ear." There was nothing jovial in his voice. Beth sat as quietly as she could, but it was impossible to keep completely still. It took him a very long time to cut her hair into the bangs they all wore. She tried to occupy herself by thinking of that word, "cocksucker." All she could picture was a bird, like a woodpecker. But she felt that was wrong.

The janitor was fatter on one side than on the other. His name was Shaibel. Mr. Shaibel. One day she was sent to the basement to clean the blackboard erasers by clomping them together, and she found him sitting on a metal stool near the furnace scowling over a green-and-white checkerboard in front of him. But where the checkers should be there were little plastic things in funny shapes. Some were larger than others. There were more of the small ones than any of the others. The janitor looked up at her. She left in silence.

On Friday, everybody ate fish, Catholic or not. It came in squares, breaded with a dark, brown, dry crust and covered with a thick orange sauce, like bottled French dressing. The sauce was sweet and terrible, but the fish beneath it was worse. The taste of it nearly gagged her. But you had to eat every bite, or Mrs. Deardoriff would be told about you and you wouldn't get adopted.

Some children got adopted right off. A six-year-old named Alice had come in a month after Beth and was taken in three weeks by some nice-looking people with an accent. They walked through the ward on the day they came for Alice. Beth had wanted to throw her arms around them because they looked happy to her, but she turned away when they glanced at her. Other children had been there a long time and knew they would never leave. They called themselves "lifers." Beth wondered if she was a lifer.

Gym was bad, and volleyball was the worst. Beth could never hit the ball right. She would slap at it fiercely or push at it with stiff fingers. Once she hurt her finger so much that it swelled up afterward. Most of the girls laughed and shouted when they played, but Beth never did.

Jolene was the best player by far. It wasn't just that she was older and taller; she always knew exactly what to do, and when the ball came high over the net, she could station herself under it without having to shout at the others to keep out of her way, and then leap up and spike it down with a long, smooth movement of her arm. The team that had Jolene always won.

The week after Beth hurt her finger, Jolene stopped her when gym ended and the others were rushing back to the showers. "Lemme show you something," Jolene said. She held her hands up with the long fingers open and slightly flexed. "You do it like this." She bent her elbows and pushed her hands up smoothly, cupping an imaginary ball. "Try it."

Beth tried it, awkwardly at first. Jolene showed her again, laughing. Beth tried a few more times and did it better. Then Jolene got the ball and had Beth catch it with her fingertips. After a few times it got to be easy.

"You work on that now, hear?" Jolene said and ran off to the shower.

Beth worked on it over the next week, and after that she did not mind volleyball at all. She did not become good at it, but it wasn't something she was afraid of anymore.

Every Tuesday, Miss Graham sent Beth down after Arithmetic to do the erasers. It was considered a privilege, and Beth was the best student in the class, even though she was the youngest. She did not like the basement. It smelled musty, and she was afraid of Mr. Shaibel. But she wanted to know more about the game he played on that board by himself.

One day she went over and stood near him, waiting for him to move a piece. The one he was touching was the one with a horse's head on a little pedestal. After a second he looked up at her with a frown of irritation. "What do you want, child?" he said.

Normally she fled from any human encounter, especially with grownups, but this time she did not back away. "What's that game called?" she asked.

He stared at her. "You should be upstairs with the others."

She looked at him levelly; something about this man and the steadiness with which he played his mysterious game helped her to hold tightly to what she wanted. "I don't want to be with the others," she said. "I want to know what game you're playing."

He looked at her more closely. Then he shrugged. "It's called chess."

A bare light bulb hung from a black cord between Mr. Shaibel and the furnace. Beth was careful not to let the shadow of her head fall on the board. It was Sunday morning. They were having chapel upstairs in the library, and she had held up her hand for permission to go to the bathroom and then come down here. She had been standmg, watching the janitor play chess, for ten minutes. Neither of them had spoken, but he seemed to accept her presence.

He would stare at the pieces for minutes at a time, motionless, looking at them as though he hated them, and then reach out over his belly, pick one up by its top with his fingertips, hold it for a moment as though holding a dead mouse by the tail and set it on another square. He did not look up at Beth.

Beth stood with the black shadow of her head on the concrete floor at her feet and watched the board, not taking her eyes from it, watching every move.

She had learned to save her tranquilizers until night. That helped her sleep. She would put the oblong pill in her mouth when Mr. Fergussen handed it to her, get it under her tongue, take a sip of the canned orange juice that came with the pill, swallow, and then when Mr. Fergussen had gone on to the next child, take the pill from her mouth and slip it into the pocket of her middy blouse. The pill had a hard coating and did not soften in the time it sat under her tongue.

For the first two months she had slept very little. She tried to, lying still with her eyes tightly shut. But she would hear the girls in the other beds cough or turn or mutter, or a night orderly would walk down the corridor and the shadow would cross her bed and she would see it, even with her eyes closed. A distant phone would ring, or a toilet would flush. But worst of all was when she heard voices talking at the desk at the end of the corridor. No matter how softly the orderly spoke to the night attendant, no matter how pleasantly, Beth immediately found herself tense and fully awake. Her stomach contracted, she tasted vinegar in her mouth; and sleep would be out of the question for that night.

Now she would snuggle up in bed, allowing herself to feel the tension in her stomach with a thrill, knowing it would soon leave her. She waited there in the dark, alone, monitoring herself, waiting for the turmoil in her to peak. Then she swallowed the two pills and lay back until the ease began to spread through her body like the waves of a warm sea.

"Will you teach me?"

Mr. Shaibel said nothing, did not even register the question with a movement of his head. Distant voices from above were singing "Bringing in the Sheaves."

She waited for several minutes. Her voice almost broke with the effort of her words, but she pushed them out, anyway: "I want to learn to play chess."

Mr. Shaibel reached out a fat hand to one of the larger black pieces, picked it up deftly by its head and set it down on a square at the other side of the board. He brought the hand back and folded his arms across his chest. He still did not look at Beth. "I don't play strangers."

The flat voice had the effect of a slap in the face. Beth turned and left, walking upstairs with the bad taste in her mouth.

"I'm not a stranger," she said to him two days later. "I live here." Behind her head a small moth circled the bare bulb, and its pale shadow crossed the board at regular intervals. "You can teach me. I already know some of it, from watching."

"Girls don't play chess." Mr. Shaibel's voice was flat.

She steeled herself and took a step closer, pointing at, but not touching, one of the cylindrical pieces that she had already labeled a cannon in her imagination. "This one moves up and down or back and forth. All the way, if there's space to move in.

Mr. Shaibel was silent for a while. Then he pointed at the one with what looked like a slashed lemon on top. "And this one?"

Her heart leapt. "On the diagonals."

You could save up pills by taking only one at night and keeping the other. Beth put the extras in her toothbrush holder, where nobody would ever look. She just had to make sure to dry the toothbrush as much as she could with a paper towel after she used it, or else not use it at all and rub her teeth clean with a finger.

That night for the first time she took three pills, one after the other. Little prickles went across the hairs on the back of her neck; she had discovered something important. She let the glow spread all over her, lying on her cot in her faded blue pajamas in the worst place in the Girls' Ward, near the door to the corridor and across from the bathroom. Something in her life was solved: she knew about the chess pieces and how they moved and captured, and she knew how to make herself feel good in the stomach and in the tense joints of her arms and legs, with the pills the orphanage gave her.

"Okay, child," Mr. Shaibel said. "We can play chess now. I play White."

She had the erasers. It was after Arithmetic, and Geography was in ten minutes. "I don't have much time," she said. She had learned all the moves last Sunday, during the hour that chapel allowed her to be in the basement. No one ever missed her at chapel, as long as she checked in, because of the group of girls that came from Children's, across town. But Geography was different. She was terrified of Mr. Schell, even though she was at the top of the class.

The janitor's voice was flat. "Now or never," he said.

"I have Geography . . ."

"Now or never."

She thought only a second before deciding. She had seen an old milk crate behind the furnace. She dragged it to the other end of the board, seated herself and said, "Move."

He beat her with what she was to learn later was called the Scholar's Mate, after four moves. It was quick, but not quick enough to keep her from being fifteen minutes late for Geography. She said she'd been in the bathroom.

Mr. Schell stood at the desk with his hands on his hips. He surveyed the class. "Have any of you young ladies seen this young lady in the ladies'?"

There were subdued giggles. No hands were raised, not even Jolene's, although Beth had lied for her twice.

"And how many of you ladies were in the ladies' before class?"

There were more giggles and three hands.

"And did any of you see Beth there? Washing her pretty little hands, perhaps?"

There was no response. Mr. Schell turned back to the board, where he had been listing the exports of Argentina, and added the word "silver." For a moment Beth thought it was done with. But then he spoke, with his back to the class. "Five demerits," he said.

Recenzii

“The Queen's Gambit is sheer entertainment. It is a book I reread every few years--for the pure pleasure and skill of it.” --Michael Ondaatje

“Compelling. . . . A magnificent obsession.” --Los Angeles Times

“Beth Harmon is an unforgettable creation--and The Queen's Gambit is Walter Tevis's most consummate and heartbreaking work.” --Jonathan Lethem

“Gripping reading. . . .Nabokov's The Defense and Zweig's The Royal Game are the classics: now joining them is The Queen's Gambit.”  --The Financial Times

“More exciting than any thriller I've seen lately; more than that, beautifully written. “ --Martin Cruz Smith, author of GorkyPark

“It’s advisable to tape your fingers before opening The Queen’s Gambit. Otherwise, the suspense may bring on nail-chewing right to the elbow.” --Houston Chronicle

“Tevis traps us in the breathless drama of the moment and makes us feel the same intense involvement his characters feel.” --The Plain Dealer

“There’s more excitement in Beth than in the collected works of Robert Ludlum.” --Forth Worth Star-Telegram