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The Real Traviata: The Song of Marie Duplessis

Autor René Weis
en Limba Engleză Hardback – 24 sep 2015
The Real Traviata is the rags-to-riches story of a tragic young woman whose life inspired one of the most famous operas of all time, Verdi's masterpiece La traviata, as well as one of the most scandalous and successful French novels of the nineteenth century, La Dame aux Camélias, by Alexandre Dumas fils. The woman at the centre of the story, Marie Duplessis, escaped from her life as an abused teenage girl in provincial Normandy, rising in an amazingly short space of time to the apex of fashionable life in nineteenth century Paris, where she was considered the queen of the Parisian courtesans. Her life was painfully short, but by sheer willpower, intelligence, talent, and stunning looks she attained such prominence in the French capital that ministers of the government and even members of the French royal family fell under her spell. In the 1840s she commanded the kind of 'paparazzi' attention that today we associate only with major royalty or the biggest Hollywood stars. Aside from the younger Dumas, her conquests included a host of writers and artists, including the greatest pianist of the century, Franz Liszt, with whom she once hoped to elope. When she died Théophile Gautier, one of the most important Parisian writers of the day, penned an obituary fit for a princess. Indeed, he boldly claimed that she had been a princess, notwithstanding her peasant origin and her distinctly demi-monde existence. And although now largely forgotten, in the years immediately after her death, Marie's legend if anything grew in stature, with her immortalization in Verdi's La traviata, an opera in which the great Romantic composer tried to capture her essence in some of the most heart-wrenching and lyrical music ever composed.
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Specificații

ISBN-13: 9780198708544
ISBN-10: 0198708548
Pagini: 416
Ilustrații: 38 b& w halftones; 2 maps
Dimensiuni: 162 x 241 x 28 mm
Greutate: 0.75 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom

Recenzii

Weis traces his protagonist's short but event-filled life - she died at the age of 23 - in painstaking detail. He also offers new insights into the genesis of Alexandre Dumas's fictionalised accounts of her life and of Verdi's opera. This book will intrigue fans of La traviata, but its broader account of the treatment of women in early 19th-century France deserves a wider readership.
Weis's ability in making this work not only a masterpiece of research, but also a captivating book, is truly admirable. The author operates detailed reconstructions and descriptions of the locations and contexts where the events took place and frequently uses the accounts of eyewitnesses, the abundance of sources always paired up with an expressive and deeply empathic, yet clear and objective tone ... Finally, the author operates a continuous, deep contextualization of the story he tells within the wider historical, social and cultural context, tirelessly linking events and details to coeval society, artists and debates, making--in a word--Marie Duplessis a catalyst for many other stories. This book thus appeals with equal strength not only to theatre, opera, society and literature historians, but also to all those who wish to uncover a story that is able like few others to connect facts, personalities and great works of art.
The Real Traviata offers the fullest account we have of Marie Duplessis, her cultural universe, and her successive mythologization... In the range of exciting documentation he has uncovered, Weis highlights the limits of her first nineteenth-century biographer, Romain Vienne.
[Weis's] delineation of [Duplessis's] apotheosis as Verdi's Violetta is masterly and moving. Weis is an opera oficionado, and the discussions of the evolution of Piave's libretto, the autobiographical echoes of Verdi's own life and sublimity of the score of La Traviata itself bring an extraordinary and revelatory breadth of understanding to the work.
[A] scrupulous biography ... Weis has meticulously combed public records, private letters, libraries, archives and historic sites throughout France, fusing fact, myth, lore and hypothesis to breathe life into the woman who would inspire the novel and play La Dame aux Camélias, by Alexander Dumas fils, Verdis Traviata, and screen portrayals ranging from Garbo to Julia Roberts ... [His] description of Maries Cinderella rise from waif to café society is heartbreaking ...
[A] superbly readable and meticulously researched biography... It is hard to think of a more dramatic life, from a horrific childhood to the glamour of high society, and Weis tells it with operatic pathos.
[A] scrupulously researched biography ... Weis powerfully delineates the social forces that victimized Duplessis, while still managing to convey the independence of spirit that made her so captivating.
Weis's accomplished depiction shows an intelligent, worldly and wise young woman who managed to keep her lovers (and her husband) as friends.
An instructive account og an extraordinary world.
René Weis retraces, with meticulous attention to detail, tact, and sensitivity, the thousand hidden and not so hidden facets of a woman who was celebrated, courted, and adored by the 'Tout-Paris', and who died rejected and ignored by all ... an excellent and accomplished book that holds the reader in its spell throughout, because it engages with, and reveals, a woman who was honest, lovable, and 'of good company'
... well-researched, meticulously sifting the claims and counter-claims of previous biographers ... this book will provide an intriguing glimpse of the poignant and often bitter realities' of Violetta

Notă biografică

René Weis is a freelance author and a professor of English at UCL. He has a written on a wide variety of subjects, including Edith Thompson (of the infamous 'Thompson and Bywaters' murder case in the 1920s), the last Cathar insurgency in the Pyrenees in the Middle Ages, and a biography of Shakespeare. As a professional Shakespearian, he has published extensively on Shakespeare and Renaissance drama, his publications including editions of Romeo and Juliet, King Lear, Henry IV Part 2, and an Oxford World Classics edition of the works of John Webster. A lifelong lover of opera, he also contributes regular pieces to the programmes for Royal Opera House productions.