The Reception of Aristotle’s Poetics in the Italian Renaissance and Beyond: New Directions in Criticism: Bloomsbury Studies in the Aristotelian Tradition
Editat de Dr Bryan Brazeauen Limba Engleză Hardback – 15 apr 2020
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Specificații
ISBN-13: 9781350078932
ISBN-10: 135007893X
Pagini: 312
Ilustrații: 11 b/w illustrations
Dimensiuni: 156 x 234 x 31 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in the Aristotelian Tradition
Locul publicării:London, United Kingdom
ISBN-10: 135007893X
Pagini: 312
Ilustrații: 11 b/w illustrations
Dimensiuni: 156 x 234 x 31 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in the Aristotelian Tradition
Locul publicării:London, United Kingdom
Caracteristici
Provides a history of the discipline, case studies of current work, and new directions for future scholarship
Notă biografică
Bryan Brazeau is Senior Teaching Fellow in Liberal Arts, University of Warwick, UK.
Cuprins
List of FiguresList of ContributorsAcknowledgements1. Introduction, Bryan Brazeau (University of Warwick, UK)Part I. Mapping the Field and Retracing Boundaries2. A Scholar-Collector in Mid-Century Chicago: The Books of Bernard Weinberg, Eufemia Baldassarre (University of Chicago, USA), Paul F. Gehl (Newberry Library, USA) and Lia Markey (Newberry Library, USA)3. Sound Aristotelians and How They Read, Micha Lazarus (Cambridge University, UK)4. Inventing a Renaissance: Modernity, Allegory, and the History of Literary Theory, Vladimir Brljak (University of Cambridge, UK)Part II. Case Studies: Critical Quarrels and Readings5. From Manuscript Studies to the Social and Political History of Aesthetics: Shedding Light on the Readings of Aristotle's Poetics developed within the Alterati of Florence (1569-ca. 1630), Déborah Blocker (U.C. Berkeley, USA)6. Quarrelling over Dante: Revisiting Weinberg on The First Phase of the Quarrel and on Sperone Speroni's Second Discorso sopra Dante, Simon Gilson (University of Oxford, UK)7. Poetics in Practice: How Orazio Lombardelli Read his Homer, Sarah Van Der Laan (Indiana University Bloomington, USA)Part III. New Theoretical Frontiers8. Epic (In)hospitality: The Case of Tasso, Jane Tylus (Yale University, USA)9. Soul to Squeeze: Emotional History and Early Modern Readings of Aristotle's Poetics, Bryan Brazeau (University of Warwick, UK)10. Critical Imitatio: Renaissance Literary Theory and its Postmodern Avatars, Ayesha Ramachandran (Yale University, USA)Appendix: Early Modern Books in the Library of Bernard Weinberg, Paul F. Gehl (Newberry Library, USA), Lia Markey (Newberry Library, USA), and Eufemia Baldassare (University of Chicago, USA) Index
Recenzii
A tool kit to be used by poets working to build new forms and by readers working to make sense of them.
The volume constitutes a major step forward in the study of early modern poetics, offering not only fresh insight into the intellectual world of the Renaissance but also a productive (and long overdue) reassessment of modern scholarly approaches to the field. By tackling Renaissance poetics from a variety of cross-disciplinary perspectives, this book redefines the place of literary criticism in early modern culture and sheds light on its relevance to the making of modern discourses about the interplay of literature and the world.
A timely and significant reengagement with Renaissance poetic theory in Italy, this volume offers a fresh and genuinely interdisciplinary take on a constituent element of early modern culture. The volume's three main sections offer readers a series of engaging case studies which put early modern critical materials and contemporary theories and methodologies into direct conversation with each other. The collection as a whole relaunches the critical conversation on Renaissance Italy's poetic theory, moving it beyond where Bernard Weinberg left it, with vision and ambition.
The volume constitutes a major step forward in the study of early modern poetics, offering not only fresh insight into the intellectual world of the Renaissance but also a productive (and long overdue) reassessment of modern scholarly approaches to the field. By tackling Renaissance poetics from a variety of cross-disciplinary perspectives, this book redefines the place of literary criticism in early modern culture and sheds light on its relevance to the making of modern discourses about the interplay of literature and the world.
A timely and significant reengagement with Renaissance poetic theory in Italy, this volume offers a fresh and genuinely interdisciplinary take on a constituent element of early modern culture. The volume's three main sections offer readers a series of engaging case studies which put early modern critical materials and contemporary theories and methodologies into direct conversation with each other. The collection as a whole relaunches the critical conversation on Renaissance Italy's poetic theory, moving it beyond where Bernard Weinberg left it, with vision and ambition.