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The Reception of Du Fu (712-770) and His Poetry in Imperial China de Ji Hao

The Reception of Du Fu (712-770) and His Poetry in Imperial China: Sinica Leidensia, cartea 136

Autor Ji Hao
en Limba Engleză Hardback – 17 mai 2017
For centuries, Chinese critics have acclaimed Du Fu (712–770) as “China’s greatest poet.” He has exerted tremendous influence both as a model poet and as a cultural icon. In The Reception of Du Fu (712-770) and His Poetry in Imperial China, Ji Hao provides modern readers with a general picture of the reception of Du Fu and his work from the Song to the Qing. He also explores major shifts in interpretive approaches to Du Fu’s poetry and their poetic and cultural implications.
Through the case of reading Du Fu, the book also offers an in-depth examination of subtleties of the mode of life reading and the concept of transparency. This exploration seeks to provide a new orientation to the significance of the overarching principles of reading poetry in traditional China.
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Specificații

ISBN-13: 9789004341043
ISBN-10: 9004341048
Dimensiuni: 155 x 235 mm
Greutate: 0.48 kg
Editura: Brill
Colecția Brill
Seria Sinica Leidensia

Cuprins

AcknowledgmentsList of FiguresList of ContributorsIntroduction

Part 1: Early Netherlandish Painting and Prints

1 Strategies of Intimacy: Memling’s Triptych of Adriaan ReinsLynn F. Jacobs2 Those Who Are Bashful Starve: An Interpretation of the Master of the Brunswick Diptych’s Holy Family at MealHenry Luttikhuizen3 Hugo van der Goes and PortraitureMaryan W. Ainsworth4 The Besieged War-Elephant: A Boschian Moralized Antiwar DiscourseYona Pinson5 The Overpainted Patron: Some Considerations about Dating Bosch’s Last Judgment Triptych in ViennaErwin Pokorny

Part 2 Sixteenth-Century Netherlandish Painting

6 The Red Jew, Red Altarpiece and Jewish Iconography in Jan de Beer’s St. Joseph and the SuitorsDan Ewing7 “Headlong” into Pieter Bruegel’s Series of the SeasonsReindert L. Falkenburg8 Better Living Through MisinterpretationBret Rothstein9 The Last Supper with Donors in the Chrysler Museum CollectionLloyd DeWitt10 Michiel Coxcie’s Artistic Quotations in The Death of AbelChristopher D. M. Atkins

Part 3 Manuscripts, Patrons, and Printed Books

11 Veronica’s TextileHerbert L. Kessler12 It’s February in the Early Fifteenth Century: What’s for Dinner?Harry Rand13 Oratio ad Proprium Angelum: The Guardian Angel in the Rothschild HoursDagmar Eichberger14 Chinese Painting and Dutch Book Arts: The Challenges of Cross-Cultural InterpretationDawn Odell15 Kinesis and Death in LautensackChristopher P. Heuer*16 Virgil’s Flute: the Art and Science of “Antique Letters” and the Origins of KnowledgeAndrew Morrall17 Born to Teach: Nikolaus Glockendon’s Finding of Jesus in the TempleDebra Taylor Cashion18 Nicolaes Witsen’s Collection, his Influence, and the Primacy of the ImageRebecca P. Brienen

Part 4 Dürer and the Power of Pictures

19 Dürer’s Rhinoceros Underway: the Epistemology of the Copy in the Early Modern PrintStephanie Leitch20 Praying against Pox: New Reflections on Dürer’s Jabach AltarpieceBirgit Ulrike Münch21 The Weird Sisters of Hans Baldung GrienBonnie Noble22 Preserving Destruction: Albrecht Altdorfer’s Etchings of the Regensburg Synagogue as Material Performances of the Past and FutureAshley D. West23 The Case of the Missing Gold Disc: A Crucifixion by Albrecht DürerMiya Tokumitsu24 Hitler’s Dürer? The Nuremberg Painter between Self-Portrayal and National AppropriationThomas Schauerte25 Performing Dürer: Staging the Artist in the Nineteenth CenturyJeffrey Chipps Smith

Part 5 Prints and Printmaking

26 The Burin, the Blade, and the Paper’s Edge: Early Sixteenth-Century Engraved Scabbard Designs by Monogrammist ACBrooks Rich27 “Return to Your True Self!” Practicing Spiritual Therapy with the Spiegel der Vernunft in MunichMitchell B. Merback28 The Eucharistic Controversy and Daniel Hopfer’s Tabernacle for the Holy SacramentFreyda Spira29 Recalibrating Witchcraft through Recycling and Collage: The Case of a Late Seventeenth-Century Anonymous PrintCharles Zika30 The Timeless Space of Maerten van Heemskerck’s Panoramas: Viewing Ruth and Boaz (1550)Arthur DiFuria31 Hendrick Goltzius’s Method of Exegetical Allegory in his Scriptural Prints of the 1570sWalter S. Melion32 Narrative, Ornament, and Politics in Maerten van Heemskerck’s Story of Esther (1564)Shelley Perlove33 Disgust and Desire: Responses to Rembrandt’s NudesStephanie S. Dickey

Part 6 Seventeenth-Century Painting

34 A New Painting by Dirck van BaburenWayne Franits35 “Verbum Domini manet in eternum”: Devotional Cabinets and Kunst- und Wunderkammern around 1600James Clifton36 Creating Attributability with the Five Senses of Jan Brueghel the YoungerHans J. Van Miegroet37 Pieter Lastman’s Paintings of David’s Death Sentence for Uriah, 1611 and 1619Amy Golahny38 Thomas de Keyser’s Venus Lamenting the Death of AdonisAnn Jensen Adams39 On Painting the Unfathomable: Rubens and The Banquet of TereusAneta Georgievska-Shine40 Jan Miense Molenaer’s Boys with Dwarfs and the Heroic Tradition of ArtDavid A. Levine41 Is it a Rembrandt?Catherine B. Scallen42 Pieter Codde and the Industry of Copies in 17th-century Dutch PaintingJochai RosenAppendix: Larry Silver BibliographyIndex

Notă biografică

Ji Hao, PhD (2012), University of Minnesota (Twin Cities), is Assistant Professor of Chinese at the College of the Holy Cross. He has published several articles on Du Fu and on the sixteenth-century Chinese novel Xiyou ji.

Recenzii

"The Reception of Du Fu is a very informative and thought-provoking study. It gives us detailed and lively information about different kinds of reception, not only of Du Fu, but also about traditional Chinese modes of interpretation, which last till our times." - Monika Motsch, Friedrich-Alexander-Universität Erlangen-Nürnberg, in: Monumenta Serica, 66:1 (2018)