The Recording, Mixing, and Mastering Reference Handbook
Autor Karl Pedersen, Mark Grimshaw-Aagaarden Limba Engleză Paperback – 30 ian 2019
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Oxford University Press – 30 ian 2019 | 595.12 lei 32-37 zile |
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Specificații
ISBN-13: 9780190686642
ISBN-10: 0190686642
Pagini: 336
Ilustrații: 213 illus.
Dimensiuni: 216 x 277 x 23 mm
Greutate: 0.95 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0190686642
Pagini: 336
Ilustrații: 213 illus.
Dimensiuni: 216 x 277 x 23 mm
Greutate: 0.95 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Pedersen and Grimshaw-Aagaard have created an updated, contemporary desk reference for anyone interested in understanding the recording process, from tracking through preparation for distribution, in a taut, concise volume that is as detailed as it is accessible.
Great organization! The information provided in this book is concise and to the point while also offering a good amount of background information covering many techniques and nuances of music recording. It is a great resource for novice and professional engineers and producers alike. If you are involved in the recording of music in any capacity, you should have this book within reach.
Great organization! The information provided in this book is concise and to the point while also offering a good amount of background information covering many techniques and nuances of music recording. It is a great resource for novice and professional engineers and producers alike. If you are involved in the recording of music in any capacity, you should have this book within reach.
Notă biografică
Karl Pedersen owns and manages Blue Apple Lyd-design studios and Canta·Libris publishing house. In addition to having written several books on audio and sound, he also teaches music and sound technology and is a performing musician. Mark Grimshaw-Aagaard is Obel Professor of Music at Aalborg University, Denmark. He has published widely across subjects as diverse as sound, biofeedback in computer games, virtuality, the Uncanny Valley, and IT systems, and also writes free, open source software for virtual research environments (WIKINDX).