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The Red Chair: Modern Plays

Autor Sarah Cameron Adaptat de Paul Clark, Suzy Willson
en Limba Engleză Paperback – 23 feb 2015
Let us tell you a strange tale that did unfold someplace in the glum north o'the warld, where there lived a Man who could not stop eating, a Woman doomed to cook his meals and one 'inveesible child'.Told in a rich and saucy Scots dialect with physical verve, a wee dram of whisky to oil the way and a musical score that rolls in like mist over the hills, The Red Chair sees acclaimed Scottish performer Sarah Cameron steer us through a landscape of twisted reason, extreme compulsion and eye-watering complacency, where domestic drudgery happens on an operatic scale and a father's dereliction of duty reaches epic proportions.The Red Chair is based on Sarah's original book that had its first public reading as part of The House of Fairytales at the Port Eliot Festival. It lies somewhere between a Grimm's Tale, an absurdist ghost story and a parent's guide on how not to bring up children.
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Specificații

ISBN-13: 9781474249348
ISBN-10: 1474249345
Pagini: 80
Dimensiuni: 129 x 198 x 4 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

Produced by the Clod Ensemble who have been described by the Guardian as 'One of those innovative and anarchic companies thrusting its way through traditional boundaries of theatre'

Notă biografică

Sarah Cameron is an artist, performer and writer. Born in Dundee, she studied sculpture at Chelsea School of Art and theatre at École International de Theatre Jacques Lecoq in Paris. She has worked extensively in theatre with companies including: Clod Ensemble, Royal Shakespeare Company, West Yorkshire Playhouse and Young Vic, where she was a resident member of the company that created the award-winning Grimm Tales directed by Tim Supple.

Recenzii

There are elements of fairy tale here, in the story and its method of telling, and yet this is a dance of sorts, with its rhythms and its stresses, and language - a kind of heightened Scots - is pivotal to the piece: words bend and sway and stretch . . . a hypnotic experience.