The Rise of the Image: Essays on the History of the Illustrated Art Book: Reinterpreting Classicism: Culture, Reaction and Appropriation
Editat de Rodney Palmer, Thomas Frangenbergen Limba Engleză Hardback – 28 apr 2003
The Rise of the Image reveals how illustrations have come to play a primary part in books on art and architecture. Italian Renaissance art is the main focus for this anthology of essays which analyse key episodes in the history of illustration from the sixteenth to the twentieth century. The authors raise new issues about the imagery in books on the visual arts by Leonardo da Vinci, Giorgio Vasari, Sebastiano Serlio, Andrea Palladio, Girolamo Teti and Andrea Pozzo. The concluding essays evaluate the roles of reproductive media, including photography, in Victorian and twentieth-century art books. Throughout, images in books are considered as vehicles for ideas rather than as transparent, passive visual forms, dependent on their accompanying texts. Thus The Rise of the Image enriches our understanding of the role of prints in books on art.
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Specificații
ISBN-10: 0754605590
Pagini: 290
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Reinterpreting Classicism: Culture, Reaction and Appropriation
Locul publicării:Oxford, United Kingdom
Cuprins
Recenzii
'... a welcome addition to the literature and a significant contribution to the subject.' Paul Goldman, The Library
'The contributors engage with a complex aspect of the first 500 years of the history of the book and reveal a relatively little studied aspect of visual culture... familiar material re-presented in innovative contexts... Ashgate's 'Reinterpreting classicism' series, of which this book is one, is exactly the kind of project which the Warburg Institute was established to undertake.' Nigel Llewellyn, the Art Newspaper
Notă biografică
Descriere
The Rise of the Image reveals how illustrations have come to play a primary part in books on art and architecture. Italian Renaissance art is the main focus for this anthology of essays which analyse key episodes in the history of illustration from the sixteenth to the twentieth century. The authors raise new issues about the imagery in books on the visual arts by Leonardo da Vinci, Giorgio Vasari, Sebastiano Serlio, Andrea Palladio, Girolamo Teti and Andrea Pozzo. The concluding essays evaluate the roles of reproductive media, including photography, in Victorian and twentieth-century art books. Throughout, images in books are considered as vehicles for ideas rather than as transparent, passive visual forms, dependent on their accompanying texts. Thus The Rise of the Image enriches our understanding of the role of prints in books on art.