Cantitate/Preț
Produs
Total produse
Vezi coșul
The Routledge Companion to Jazz Studies de Nicholas Gebhardt

The Routledge Companion to Jazz Studies: Routledge Music Companions

Editat de Nicholas Gebhardt, Nichole Rustin-Paschal, Tony Whyton
en Limba Engleză Hardback – 6 dec 2018
The Routledge Companion to Jazz Studies presents over forty articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquiry. Each chapter reflects on developments within jazz studies over the last twenty-five years, offering surveys and new insights into the major perspectives and approaches to jazz research. The collection provides an essential research resource for students, scholars, and enthusiasts, and will serve as the definitive survey of current jazz scholarship in the Anglophone world to-date. It extends the critical debates about jazz that were set in motion by formative texts in the 1990s, and sets the agenda for the future scholarship by focusing on key issues and providing a framework for new lines of enquiry. It is organized around six themes: I. Historical Perspectives, II. Methodologies, III. Core Issues and Topics, IV. Individuals, Collectives and Communities, V. Politics, Discourse and Ideology and VI. New Directions and Debates.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 30678 lei  6-8 săpt.
  Taylor & Francis – 13 dec 2021 30678 lei  6-8 săpt.
Hardback (1) 121352 lei  6-8 săpt.
  Taylor & Francis – 6 dec 2018 121352 lei  6-8 săpt.

Din seria Routledge Music Companions

Preț: 121352 lei

Preț vechi: 163668 lei
-26% Nou

Puncte Express: 1820
Preț estimativ în valută:
23222€ • 24486$ • 19332£

Carte tipărită la comandă

Livrare economică 10-24 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781138231160
ISBN-10: 1138231169
Pagini: 514
Dimensiuni: 178 x 254 x 29 mm
Greutate: 1.07 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Music Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Undergraduate

Cuprins

PA RT I: Historical Perspectives 1. Wilkie’s Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz (Tony Whyton) / 2. Diasporic Jazz (Bruce Johnson) / 3. I Like to Recognize the Tune: Interrupting Jazz and Musical Theater Histories (Julianne Lindberg) / 4. “That Ain’t No Creole, It’s a . . .!”: Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz (Bruce Boyd Raeburn) / 5. Jazz Education: Historical and Critical Perspectives (Ken Prouty) / 6. Swan Songs: Jazz, Death, and Famous Last Concerts (Walter van de Leur) 7. Jazz on Radio (Tim Wall) PART  II: Methodologies 8. After Wynton: Narrating Jazz in the Postneotraditional Era (David Ake) / 9. Jazz and the Material Turn (Floris Schuiling) / 10. Jazz Meets Pop in the United Kingdom (Catherine Tackley) / 11. On  Billboard, Isaac Hayes, and the “Swinging Relationship” Between Jazz and Its Popular Music Cousins, 1950–1973 (John Howland) / 12. “Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans”: Rethinking Jazz and Jazz Studies Through Jason Moran’s Multimedia Performance (John Gennari) / 13. Conceptualizing Jazz as a Cultural Practice in Soviet Estonia (Heli Reimann) / 14. And Then I Don’t Feel So Bad: Jazz, Sentimentality, and Popular Song (Alan Stanbridge) PART  III: Core Issues and Topics 15. Space and Place in Jazz (Andrew Berish) / 16. Time in Jazz (Mark Doffman) / 17. Jazz and Disability (George McKay) / 18. Race in the New Jazz Studies (Patrick Burke) / 19. The Vocalized Tone (Tom Perchard) / 20. Jazz and the Recording Process (Benjamin Bierman) / 21. Figuring  Improvisation  (Peter Elsdon) / 22. Listening for Empire in Transnational Jazz Studies (Frederick J. Schenker) PART  IV: Individuals, Collectives, and Communities 23. New Orleans, the “Creole Concept,” and Jazz (Wolfram Knauer) / 24. Sitting In and Subbing Out: The Gig Economy of 1960s New York (Marian Jago) / 25. George Lewis’s  Voyager (Paul Steinbeck) / 26. Quiet About It—Jazz in Japan (Michael Pronko) / 27. Performing Improvisation: Bill Evans and Jean-Yves Thibaudet (Deborah Mawer) / 28. Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-Ness (Eduardo Vicente) / 29. Individuals, Collectives, and Communities: Festivals and Festivalization: The Shaping Influence of a Jazz Institution (Scott Currie) PART  V: Politics, Discourse, and Ideology 30. The Birth of Jazz Diplomacy: American Jazz in Italy, 1945–1963 (Anna Harwell Celenza) / 31. Jazzing for a Better Future: South Africa and Beyond (Christopher Ballantine) / 32. Eric Hobsbawm (Roger Fagge) / 33. Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s (David Brackett) / 34. The Rhetoric of Jazz (Gregory Clark) / 35. Unfinalizable: Dialog and Self-Expression in Jazz (Charles Hersch) / 36. Improvisation: What Is It Good for? (Raymond MacDonald and Graeme Wilson) / 37. Friends and Neighbors: Jazz and Everyday Aesthetics (Nicholas Gebhardt) PART  VI: New Directions and Debates 38. “The Reason I Play the Way I Do Is”: Jazzmen, Emotion, and Creating in Jazz (Nichole Rustin-Paschal) / 39. The Art of Improvisation in the Age of Computational Participation (David Borgo) / 40. Renaissance or Afterlife? Nostalgia in the New Jazz Films (Björn Heile) / 41. Comics as Criticism: Harvey Pekar, Jazz Writer (Nicolas Pillai) / 42. Free Spirits: The Performativity of Free Improvisation (Petter Frost Fadnes) / 43. My Jazz World: The Rise and Fall of a Digital Utopia (Simon Barber) / 44. Writing the Jazz Life (Krin Gabbard)

Notă biografică

Nicholas Gebhardt　is Professor of Jazz and Popular Music Studies at Birmingham City University and Director of the Birmingham Centre for Media and Cultural Research.　His work focuses on jazz and popular music in American culture, and　his publications includeGoing For Jazz: Musical Practices and American IdeologyandVaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929.
Nichole Rustin-Paschal earned a J.D. from the University of Virginia and a Ph.D. from New York University. She is the author ofThe Kind of Man I Am: Jazzmasculinity and the World of Charles Mingus Jr.and co-editor with Sherrie Tucker ofBig Ears: Listening for Gender in Jazz Studies.
Tony Whyton is Professor of Jazz Studies at Birmingham City University and author ofJazz Icons: Heroes, Myths and the Jazz TraditionandBeyond A Love Supreme: John Coltrane and the Legacy of an Album. As an editor, Whyton has worked as the co-editor of theJazz Research Journalsince 2004 and he currently co-edits theRoutledge series ‘Transnational Studies in Jazz’.

Recenzii

"The Routledge Companion to Jazz Studies is a thoroughly stimulating, provocative collection that challenges myriad assumptions about jazz cultures. The beauty of it is that it raises just as many questions, as all good research should, as it answers."
—Ian Patterson, All About Jazz

Descriere

The Routledge Companion to Jazz Studies presents over forty commissioned articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquirey. Each chapter reflects on developments within jazz studies over the last twenty-five years.