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The Routledge Companion to Music and Visual Culture de Tim Shephard

The Routledge Companion to Music and Visual Culture: Routledge Music Companions

Editat de Tim Shephard, Anne Leonard
en Limba Engleză Hardback – 18 sep 2013
As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts:
  • Starting Points
  • Methodologies
  • Reciprocation – the musical in visual culture and the visual in musical culture
  • Convergence –in metaphor, in conception, and in practice
  • Hybrid Arts
This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.
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Specificații

ISBN-13: 9780415629256
ISBN-10: 041562925X
Pagini: 432
Ilustrații: 36 color halftones and Routledge Companion to Theology
Dimensiuni: 174 x 246 x 28 mm
Greutate: 0.92 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Music Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Academic

Cuprins

Part I: Starting Points 
1 Seeing Music (Richard Leppert)
2 Synaesthesia (Simon Shaw-Miller)
Part II: Methodologies 
3 Art History for Musicologists (Charlotte de Mille)
4 Musicology for Art Historians (Jonathan Hicks)
5 Iconography (Robert L. Kendrick)
6 Cultural History (Marsha Morton)
7 Performance Studies (Laura Cull)
8 Studying Music and Screen Media (David Neumeyer)
9 Visual Evidence in Ethnomusicology (Andrew Killick)
Part III: Reciprocation  
III.1 The Musical in Visual Culture
10 Representing Music-Making (Alan Davison)
11 Composer Portrait Prints (Stephen A. Bergquist)
12 Music, Symbolism, and Allegory (Ayla Lepine)
13 Music as Attribute: Idea, Image, Sound (Philip Weller)
14 Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e (Alexander Binns)
15 Painting and Musicality (Therese Dolan)
III.2 The Visual in Musical Culture
16 The "Representation" of Paintings in Music (William L. Coleman)
17 Gesture and Imagery in Music Performance: Perspectives from North Indian Classical Music (Laura Leante)
18 Notations: Context and Strucutre in Japanese Traditional Music (Liv Lande)
19 Manuscripts (Marica S. Tacconi)
20 Printed Music: Music Printing as Art (Kate van Orden)
21 Album Art and Posters: The Psychedelic Interplay of Rock Art and Art Rock (Jan Butler)
Part IV: Convergence 
IV.1 Convergence in Metaphor
22 Visual Metaphors in Music Analysis and Criticism (Gurminder Kaur Bhogal)
23 Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo Galilei's Dialogo della Musica Antica e della Moderna (Antonio Cascelli)
24 Musical Metaphors in Art Criticism (Anne Leonard)
25 Musical Metaphors in Art Treatises: The Codification of Emotions in Eighteenth-Century Art Theory (Clare Hornsby)
IV.2 Convergence in Conception
26 Leonardo and the Paragone (Tim Shephard)
27 Poussin and the Modes (Sheila McTighe)
28 Wagner’s Gesamtkunstwerk (Diane Silverthorne)
29 Rāgas, Mood, and Representation (Jonathan B. Katz)
IV.3 Convergence in Practice
30 Artists as Musicians and Musical Connoisseurs: Musicians, Mélomanes, and Ideas of Music among Nineteenth-Century Artists (Peter Schmunk)
31 Musical Spaces: The Politics of Space in Renaissance Italy (Tim Shephard)
32 Built Architecture for Music: Spaces for Chamber Music in Sixteenth-Century Italy (Laura Moretti)
33 Urban Soundscapes: Hearing and Seeing Jerusalem (Abigail Wood)
34 Music in Social and Artistic Context: Women Qin Players (Mingmei Yip)
35 Music in New Media (Fabian Holt)
Part V: Hybrid Arts
36 Pageantry (Kelley Harness)
37 Opera (Sarah Hibberd)
38 Ballet: Interactions of Musical and Visual Style (Philip Weller)
39 Dance: Visual/Musical Effects in Two Dance Performances (Flaviana Sampaio)
40 Musicals (Dominic McHugh)
41 Film I: Bollywood--Music and Multimedia (Anna Morcom)
42 Film II (David Neumeyer)
43 Multi-Media Art: Video Art-Music (Holly Rogers)
44 Music, Visual Culture, and Digital Games (Roger Mosele)

Recenzii

"The editors' expertise...translates into a focus on 18th- and 19th-century cultural audio/visual studies, a familiar concept but handled here in a forward-thinking way, especially in terms of iconography. This book will be a useful comparative text in film studies, composition, and performance arts. Summing Up: Recommended." -- D.A. King, McNally Smith College of Music, CHOICE
"The contributions are...impressively representative and diverse." -- Lydia Goehr, The British Journal of Aesthetics
"This Companion ought to accompany philosophers of the arts on their journeys." --  Lydia Goehr, Columbia University, British Journal of Aesthetics
"The Routledge Companion...seems like an invitation to a critical confrontation between the traditional approaches and the possible new theoretical visions, to building new problematizations and perspectives of the interpretation of music and the visual." --Sanela Nikolić, Journal of Art and Media Studies

Descriere

The Routledge Companion to Music and Visual Culture is the first comprehensive study in music and visual culture. Its aim is to offer a single collection of research for those new to this field but to also serve as a reference guide for established researchers. Over forty essays by contributing scholars in schools of music and art departments throughout the US and UK comprise this sweeping survey. This volume is ideal for students in music and visual art, music and performance, and interdisciplinary arts courses.